esquire.com

Welcome to daylight savings time. Welcome to the “light” half of the year. Welcome to the little piece of manmade trickery that tells us the worst of the cold, dark time is over. Even though it sure didn’t look or feel like it today.

• Esquire’s “Eat Like a Man” department ran a survey asking readers’ “most life changing burger joint.” The winner: our own Dick’s, by a mile. (Also note the beautiful Dennis Hopper-esque photo topping the story.)
• Danny Westneat notes that the Republican state senate coup-mongers’ state budget cuts essential services even more brutally than the competing Democratic house budget. Westneat concludes that this totally destroys the longstanding Republican meme that all you need for a balanced budget is to get rid of some vaguely defined “waste.”
• KOMO headline: “Car slams into dentist office, driver extricated.” It may take you a second to realize that’s not “extracted.”
• The Huskies, despite their regular season prowess, are not in the NCAA men’s basketball tourney. The only NW team in it is Gonzaga.
• More and more advertisers desert right-wing hate radio. Not just Limbaugh but the whole bigoted, bullying gaggle. Will the whole genre collapse under the weight of its own need for continued extremeness? (And remember, this is the only audience today’s Republican Party gives a damn about.)
• The next time some techno-pundit tells you that every organization (from the news media to local government) must become more like whatever’s the social media darling of the week, just remember the example of Twitter. A very famous name. A very popular site. A very pathetic business.
• Jean “Mobius” Giraud R.I.P.: The king of “clear line” Euro comix art seamlessly blended slick, sophisticated senses of draftsmanship and composition with classic fanboy adventure genre subjects (Sergio Leone-esque cowboys, space opera, sword and sorcery, erotica, even proto-steampunk). He also cofounded Metal Hurlant, the way-influential magazine known here as Heavy Metal. Too bad most U.S. media obits of Giraud only wanted to discuss the Hollywood movies he’d consulted on or which were “inspired” by his work (typical myopia).

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