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RANDOM LINKS FOR 2/13/13
February 13th, 2013 by Clark Humphrey

  • Welcome Valentine’s season with Mitch O’Connell’s array of 100 unintentionally “unerotic vintage pin-up modeling photos.” (Note: The hereby linked page is, as the kids say, “NSFW.”) Speaking of the un-erotic….
  • Emily Nussbaum at the New Yorker likes how HBO’s series Girls reinvents the late-night-cable sex scene, that most hackneyed of video tropes, into farcical pathos.
  • The John Keister/Pat Cashman “comeback” show The [206] disappeared after two episodes (which had been shot in one taping, as a pilot). But it will return in April.
  • Would you buy your coffee wherever “The Bitter Barista” works next? (He was fired after his employers found out about his blog.)
  • The Seattle Transit Blog explains when the new Car2Go company is a better value than Zipcar and vice versa.
  • It’s harder to sneak past the NY Times website’s paywall these days, but may are still trying.
  • Things people feel nostalgic for these days include VHS tapes and the manual paste-up of newspaper pages.
  • Sam Tanenhaus at the New Republic explains just how the Party of Lincoln became “the party of white people.”
  • Esquire‘s cover story about “The Man Who Shot Osama Bin Laden” didn’t mention that “the shooter” (the only name the article gives him) does have health care for the next five years, and would have had more benefits if he’d just retired a year and a half after he did.
  • On the 50th anniversary of Betty Friedan’s The Feminine Mystique, Ashley Fetters at the Atlantic unearth’s bell hooks’s argument that the book treated the problems of white “leisure class” housewives as if they were the problems all women faced. Fetters then adds Daniel Horowitz’s 1998 snipe that Friedan, under her birth name Betty Goldstein, had been a prolific NYC radical essayist, and hence knew she was deliberately ignoring the plight of non-affluent women.
  • The Museum of Vancouver is opening an exhibit all about that city’s cultural history of sex. Yes, it includes the black-cat silhouette that signified adults-only movies in B.C.


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