MISCMEDIA.COM. A daily report on popular culture by Clark Humphrey.
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MISCmedia, The Magazine
MISCmedia,
THE MAGAZINE

The best of this site and more; in bathroom-friendly print form every month.
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LOSER: The Real Seattle Music Story
LOSER
THE REAL SEATTLE MUSIC STORY

The most complete account of the early-'90s Seattle music scene.
Get your copy of the updated second edition.

The Big Book of MISC. Get it now!
THE BIG BOOK OF MISC.
The best Misc. items ever, now in one handy collection.
Read more about it here.
Get it here.

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Selected MISCmedia items also appear in
TABLET, a fortnightly arts-and-culture tabloid available in and around Seattle.
MISCmedia for 4/10/01
Every Home I've Lived In Is Still Standing, Part 2

YESTERDAY, we began a countdown to the gigantic MISCmedia 15th Anniversary celebratory fete (June 2, all ages, mark your calendars now), with a glimpse of the art show that'll be part of the festivity--digital pix (presented out of order) of every home yr. web-corresp'n'd't had lived in. Today, another installment.

#18: The Consulate Apartments, 1619 Belmont Ave. A small but well-preserved studio apartment, with a former Murphy Bed closet.

I lived there from '84 to '87, during which I dumped a horrible job, was dreadfully unemployed, reluctantly went back to the horrible job, and finally found a better job. I also got my first Macintosh, ran a short-lived mondo-film screening series, and began the original Misc. print column.

Entering and leaving the building often involved charging through the phalanxes of bums and panhandlers who hung out at Glynn's Cove tavern down the street (which later became Squid Row, then Tugs Belmont, and is now Kincora).

A Dymo Labelmaker note was stuck inside the Consulate's back door: "Don't let strange people in. We have plenty."

The live-in building manager was a flamboyantly out gay man who loved to go to Chinese restaurants very late at night, a task which involved the ten-minute revving of a motorcycle parked directly beneath my unit. By the time I moved out, he had become very thin, pale and weak, and it wasn't because of Chinese food.

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CLARK'S CULTURE CORRAL

CURRENTLY FEATURED:
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BLAZING SADDLES

Mel Brooks's first commercial hit as a director doesn't hold up as well as his follow-up, the more plot-driven Young Frankenstein, but it's still worth seeing these days for the gags--and for the major theme of sheriff Cleavon Little confronting, and defeating, a horde of racist townspeople. No big-studio gross-out comedy today would dare touch upon such a Big Issue (was race even mentioned in the script of Will Smith's Wild Wild West?).

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