MISCmedia for 4/26/00
Harping

HARPER'S MAGAZINE still doesn't have a full-content website, so I'll have to tell you about its May issue, which has several items relating to topics we've been discussing here.

First up: The main article, "Notes From Underground: Among the Radicals of the Pacific Northwest," in which writer David Samuels hangs out with some of those Dreaded Eugene Anarchists.

He essentially depicts them as well-meaning children of suburban affluence who've sadly but understandably gotten sidetracked from the complexities of the world, instead preferring oversimplified ideologies that allow them to imagine themselves as Totally Good and the culture of their upper- and upper-middle-class parents as Totally Evil (almost completely ignoring all other cultural and subcultural differentiations in late-modern society).

Anarchism, as Samuels interprets its young adherents, isn't an ideology about empowering The People but an excuse for these girls and boys to imagine themselves as the world's rightful would-be dictators, philosopher-kings who'd decide what's best for the world on the basis of what feeds their own self-righteousness.

(Samuels's depictions may have helped inspire P-I cartoonist David Horsey to recently depict young radicals as snot-faced idiots irresponsibly meddling in issues that should be left to the Real Experts.)

Samuels's anarchist portrayals contrast with the memoir of oldtime radical Emma Goldman, excerpted elsewhere in the same issue. While Samuels essentially depicts anarchism as just another flavor of elitism, Goldman insists it's a means toward the abolition of all elites. As an opponent of all centralized states, Goldman wound up seeing capitalism, socialism, and fascism as more or less equally repressive. She undoubtedly would have felt the same about philosopher-king fantasies.

Elsewhere in the issue are pieces that tellingly indict aspects of the current-day elitist regime, the rule of corporate power and money:

• Nick Bromell's "Show Them the Money," a satire purporting to be a fundraising letter from a respect-for-the-rich lobby, includes a number of scary stats about the increasing concentration of wealth in the U.S. and the relative silencing of any public debate about it.

• Mark Weisbrot's essay "Globalism for Dummies" provides a succint summary of just why the Global Business power-grab isn't the greatest thing for working folk, the environment, or democracy.

• And Ellen Ullman's "The Museum of Me" bitterly yet cleverly chastizes selfish cyber-Libertarians for turning their backs on cities, interpersonal relationships, civil society, and anything else that gets in the way of the New Elite making even more money.

A reader who gets through the whole May Harper's can easily conclude that Samuels's Eugene anarchists, even if they're really like his negative characterizations, might be more emotionally than rationally driven (like those now-fetishized '60s radicals), still have a point. There's got to be some way for society to seriously consider other priorities than just helping the rich get richer.

TOMORROW: Safeco Field, where the best seats are the worst.

ELSEWHERE:

• Another site recalling the humble, sacrificed sporting house, MyKingdome.com....

RECENT HIGHLIGHTS:

• The new world capital of photography.
• Strange stuff in the Seattle Times.
• The continuing story of CNBC.
• James Twitchell-- one English prof who (hearts) marketing.
• The real reasons conservatives love baseball.
• USA Today turns 18, tries to start looking more mature.
• Back when downtown retail welcomed non-millionaire shoppers.
• Jim Hightower's selective memories of the pre-Clinton Democrats.
• Announcing the launch of MISCmedia Radio.
• Corporate warriors try to capture even more intellectual property.
• Parts one and two of a poet's fascination with the business press.
• Dave Eggers--Staggering Genius or just another hip-ironic bad boy?
• A drink to fair trade.
• Parts one and two of the clash between the arts scene and the info biz, and how it can be resolved.
• The potential savior of daily newsprint.

ARCHIVES:

• 2001, 2000, 1999, 1998, 1997, 1996, 1995, and 1986-94 columns
• Reviews of literature & art, monfiction & culture criticism, movies & videos, and music & noise
• Longer articles and essays
• The origin and future of MISCmedia