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Before Thomas Frank became a renowned author of geekily-researched anti-conservative sermon books, he co-ran a tart, biting, yet beautifully designed journal of essays called The Baffler.
It was based in Chicago for most of its existence. Its original focus was the intersecting worlds of corporate culture (including corporate “counterculture”), entertainment, and marketing. (It’s where Steve Albini’s 1994 screed against the music industry’s treatment of bands, “Some Of Your Friends Are Already This Fucked,” first appeared.) As Frank’s concerns steered toward the political, so did The Baffler‘s.
Its one consistent aspect was its irregular schedule. Though it was sometimes advertised as a “quarterly,” only 18 issues appeared from 1988 to 2009.
This will now change.
The title was bought in May by essayist/historian John Summers. Last week, Summers announced he’s attained backing from the MIT Press. MIT and Summers promise to put out three Bafflers a year for the next five years.
This is good news, because we need its uncompromising voice more than ever.
gadgetsin.com
As power in the book biz moves increasingly from Manhattan to here, the Manhattan news media treat it as a crisis, or at least as a matter of controversy.
Hence, the Sunday NY Times op-ed package posing the musical question, “Will Amazon Kill Off Book Publishers?”
What rot.
Worse, it’s predictable rot.
I’ve ranted on and on here, since years before the e-book became a marketable commodity, about the traditional book industry’s stodginess, parochialism, and criminal inefficiency.
I’ve also ranted about the particular cultural conservatism (bordering on the reactionary) that’s long held sway within the big-L Literary subculture. (That scene is not the same thing as the book industry, even though it thinks it ought to be).
Current example: Dennis Johnson (a respected publisher of, and advocate for, big-L Literary product), claiming in the NYT debate-in-print that
…publishing isn’t, right now, and hasn’t been, for 500 years, about developing [sales] algorithms. It’s been about art-making and culture-making and speaking truth to power.
The corner of publishing Johnson occupies might be about art n’ culture making.
But the whole of publishing is, and always has been, about the bottom line.
And in societies such as this one where there’s no royal family or state church to prop up (and censor) publishing, that bottom line means sales.
And, I will argue, that’s mostly been a good thing.
Not in spite of the ephemeral commercial dross that’s been the bulk of most commercial publishers’ product, but because of it.
The romances. The mysteries. The space operas. The treacle-y 19th century “ladies’ stories.” The pulp adventures. The lurid ’60s paperbacks. The advice and how-to guides. The travelogues. The comics. The fads. The tracts (spiritual, political, dietary). The bodice-rippers. The porn. The celebrity memoirs. And, yeah, today’s teen vampires and werewolves. They’re all where the passions of their particular times and places are preserved.
But Johnson wants to know how big-L Literary work will fare in the brave new e-world.
I say it will thrive as never before.
For the e-book business model is not, as Johnson fears, a recipe for monopoly.
It’s about less consolidation, not more.
There are three major e-book sales sites, and hundreds of minor ones.
Anybody can sell just about anything in e-book form on their own, or via one of these sites.
And they are.
Cottage industries are springing up to provide editing and design services for e-book self publishers.
And new small presses are forming to more fully curate “quality” ebooks, and to more effectively promote them.
Big-L Literature was, at best, a prestige sideline for the old-line major publishers. Smaller specialty presses, like Johnson’s, had to play by the big presses’ business rules (including devastating return policies with bookstores); rules that made Johnson’s kind of books hellishly difficult to put out at even a break-even level.
That good, and sometimes great, books of highbrow or artistic fiction came out of that business model, and came out regularly, is a testament to the perseverance of impresarios such as Johnson, and to authors’ willingness to work for the equivalent of less than minimum wage.
The e-book business model doesn’t guarantee success.
But it gives specialty works, and their makers, a fighting chance.
fanpop.com
linda thomas, kiro-fm
Mark your calendars.
I’ve got another live book event on Thursday, Oct. 13, 7:30 p.m., at The Couth Buzzard Books and Espresso Buono Cafe, 8310 Greenwood Ave. N.
And there will be another new book by me debuting at this event.
More details shortly.
Some 50 people attended our fantabulous Walking Seattle event Saturday at the Elliott Bay Book Company.
At least half of those followed along as we took a short stroll through upper Pike/Pine during a lovely equinox early evening.
Thank you all.
nordstrom photo, via shine.yahoo.com
defunct connecticut strip mall, from backsideofamerica.com
The downtown Seattle Borders Books closed earlier this week after 17 years. (The Redmond store closes Sunday, among the busted chain’s final outlets to close.)
(Remember, my big book shindig is one week from today (Sept. 24). See the top of this page for all pertinent details.)
from inmagine.com
There seems to be a growing book genre, about Seattle white women telling their life stories via their yoga experiences.
First was Presidential sister Claire Dederer’s Poser: My Life in Twenty-Three Yoga Poses.
Now we’ve got Suzanne Morrison’s Yoga Bitch: One Woman’s Quest to Conquer Skepticism, Cynicism, and Cigarettes on the Path to Enlightenment.
In which, I presume, Morrison attempts to conquer skepticism, cynicism, and cigarettes, and achieve some form of enlightenment.
Is there room for more than one self-reflective yoga queen in this town?
And if not, how will they duke it out?
Perhaps they could stage a stand-off (or pose-off) on the stage at Hugo House. A series of increasingly difficult poses, to be maintained for at least two minutes each.
By the time they get to the upward-facing two-foot staff pose, we should have our winner.
designsbuzz.com
• Lake City’s legendary, recently-closed Rimrock Steak House is saved! Well, maybe.
• Starbucks gave away download codes for a “free” ebook. The document turned out to exclude the novel’s ending, telling readers they had to get the paid version to learn what happens.
• Get ready for Sleepless in Seattle, the Musical. In preparation for years, it’s set to open in L.A. next summer.
• The Longview longshoremen’s strike might be ending.
• J.P. Patches, who announced his retirement from public appearances earlier this summer, will make his last one this Saturday at Fishermen’s Terminal.
• Darn. Just when we were getting used to Dennis Kucinich, turns out he’s probably not coming to stay.
• The Republicans have a master plan for winning the White House. It has little to do with actually fielding a mass-appeal candidate (or even a sane candidate), and everything to do with voter suppression and making the Electoral College even more unfair.
• Earlier this week, we discussed an LA Times essay asking where today’s great recession documentarians were. Well, here are two more places to find them—Facing Change and In Our Own Backyard.
1931 model bookmobile, from historylink.org
The summer doldrums in news-type postings seem to have ended. Enjoy.
Don’t try to fight irrationality with rationality. It will only make you more frustrated and the other person more defensive. No matter how many well-constructed arguments you offer, you won’t make headway until you understand the underlying motivation that is driving the other person.