Amazon.com Widgets
capitolhillseattle.com
boxofficequant.com
via wikipedia
Pay close attention to the above image.
It indirectly has to do with a topic that’s been going around here of late, including on this site.
The premise: Seattle has become the new nexus of the book industry.
Amazon now firmly pulls the strings of both print and e-book sales, at least in the realm of “trade books.”
Costco and Starbucks also hold huge influence over what the nation reads.
Nancy Pearl’s NPR book recommendations hold huge sway.
And we buy lots of books for local consumption, giving Seattle readers an outsized role in making bestsellers and cult classics.
See anything missing in the above?
How about actual “publishing” and “editing”?
•
Now to explain our little graphic.
Cincinnati companies once had an outsize influence in the TV production business.
Procter & Gamble owned six daytime soaps, which in turn owned weekday afternoons on the old “big three” networks.
Taft (later Great American) Broadcasting owned Hanna-Barbera, which in turn owned Saturday mornings on the networks.
But if you think of TV content actually shot in Cincinnati, you’ll probably remember only the credits to the L.A.-made WKRP In Cincinnati.
And maybe a similar title sequence on P&G’s N.Y.-made The Edge of Night.
We’re talking about one of America’s great “crossroads” places. A town literally on the border between the Rust Belt and the South, in a Presidential-election “swing state,” often overshadowed by cross-state rival Cleveland. A place with innumerable potential stories to tell.
But few of these potential stories have made either the small or big screens.
The last series set in Cincinnati was the short-lived Kathy Bates drama Harry’s Law.
The only TV fare made in Cincinnati has been a couple of obscure reality shows.
The lesson of the above: prominence in the business side of media content isn’t the same as prominence in the making of media content.
What of the latter, bookwise, is in Seattle?
Fantagraphics has tremendous market share and creative leadership in graphic novels and in comic-strip compilation volumes.
Amazon’s own nascent publishing ventures have, so far, aroused more media attention than sales.
Becker & Mayer packages and edits coffee-table tomes for other publishers, and now also provides books and “other paper-based entertainment… direct to retailers.”
The relative upstart Jaded Ibis Productions combines literature, art, and music in multimedia products for the digital era.
We’ve also got our share of university presses, “regional” presses, and mom-n’-pop presses.
Still, the UW’s English Department site admits that…
Seattle is not exactly a publishing hub… so job openings are very limited and most local presses are small and specialized.… In any location, those seeking jobs in editing and publishing far exceed the number of jobs available; competition is very vigorous.
And these are the sorts of jobs people relocate to get, or even to try to get.
Of course, Seattle also has many writers and cartoonists of greater and lesser renown. But that’s a topic for another day.
neil hubbard via cousearem.wordpress.com
capitol records via wikipedia
Here’s a company that had a four-year head start to reinvent its model, its journalism, and its overall mission. And here’s what the business side has apparently been doing the whole time — figuring out new ways to run advertising on top of advertising on top of advertising… It shows how bereft of ideas the business side is for making money from journalism on the Internet.
via cartoonresearch.com
Lots of people love and remember View-Master 3D photo reels, including those involving dolls based on cartoon characters.
Not many people realize View-Master was invented, and based for the longest time, in Portland.
View-Master’s expertise in making cartoon models and settings was the real basis for the Portland stop-motion animation tradition of Will Vinton (The California Raisins) and Laika Films (Coraline, ParaNorman).
Success Story, a documentary series made by KING-TV and its Portland sister station KGW-TV, produced a live half-hour tour of the View-Master studio and factory in 1960.
A kinescope film of the telecast made its way onto the collector circuit. It’s now been posted online by animation historian, scholar, and restorer Jerry Beck.
The factory was the site of an eco-scandal much later. Drinking water at the plant came from the company’s own supply well, on the factory site. Years later, that well was found to be contaminated with residues from processing chemicals (mostly an industrial solvent). Perhaps 1,000 employees over the years received long-term exposure to the tainted water. The factory closed in 2001; the site’s supposed to be all cleaned up now.
'out of work sith lord.'
The Emerald City Comicon, held at the Washington State Convention Center, has become an annual sign of Spring’s impending arrival in Seattle. It’s March! Time to shake off that Gore-Tex and wool. Time to reveal the unencumbered Real You to the world, by becoming your favorite fantasy character.
Like most “comics conventions” around North America, including the giant San Diego Comicon, the Emerald City Comicon is only partly about comic books and mostly about fantasy film/TV. This year’s special guests included Star Trek: TNG and X-Men star Patrick Stewart and ’60s Batman stars Adam West and Burt Ward.
But the real stars every year are the attendees themselves, channelling their copyrighted-and-trademarked icons.
Perhaps nowhere was this smelting of commercial art into folk art more obvious than with the guy who played the Star Wars theme on bagpipes, while riding a unicycle.
(P.S.: For a viewpoint on Comicon from an actual comics creator, check out Donna Barr’s blog.)
(Cross-posted with Unusual Life.)
via silver platters and queenanneview.com
gawker.com
ap via nwcn.com
beth dorenkamp via grindhouse theater tacoma
igor keller at hideousbelltown.blogspot.com
via kip w on flickr
no, not *those* sonics either.
No.
But KIRO-FM, NBA.com, and other sources continue to spread the unattributed rumors of a “clear path” to bring the Sacramento Kings here. These stories also claim the Kings-owning Maloof brothers are “resigned” to not having a management role in the moved team; even though another rumor said Chris Hansen and co. would only buy 65 percent of the team’s stock.
Yet another unattributed story claims details of the proposed sale/move have been forwarded to the NBA’s relocation committee.