sherilynn fenn in 'two moon junction'

The former bit actor (born Zalman Lefkovitz in 1941) made his first big career splash in 1988 when he wrote and produced the softcore classic 9 1/2 Weeks.

That film’s success led to a career as America’s premiere erotic filmmaker of the time, with the minor classics Wild Orchid, Two Moon Junction (Sherilynn Fenn’s springboard to fame), and Delta of Venus (arguably a better Anais Nin adaptation than the higher-budgeted Henry and June).

Even before Henry and June‘s disappointing box office led Hollywood’s theatrical distributors away from sex flicks, King had branched out into late night cable shows, starting with the still-famous Red Shoe Diaries (David Duchovny’s springboard to fame).

In a sub-genre known for some of corporate media’s shoddiest production values, King’s shows and TV-movies stand out. They display lush (if clichéd) lighting/photography and poetic dialogue/narration. The sex scenes are choreographed to convey warmth more than “heat,” accompanied by King’s trademark fusion-jazz sax soundtracks. King helped fund these projects by distributing them on video, emphasizing distribution at Blockbuster and other outlets that didn’t carry hardcore porn.

A devoted family man in spite of his subject matter, his wife and two daughters were key members of his production team.

From time to time he branched out beyond the skin-flick genre, including documentaries about dancers and surfers. But those were sidelines to the sex stuff. Battling cancer in recent years, he kept producing and sometimes directing more TV-movies and series. A pay-per-view website for these was announced last year but never launched.

And yes, he died at the age of 69.

• You know what else women do differently than men? Utilize public transit.
• Metro’s route #42 may be a goner, alas. Next on the chopping block for drastic cutting: the #2 route, one of Metro’s most heavily used and the only direct route from Queen Anne to First Hill and Madrona.
• Republicans in the state Legislature have a new plan to “reform” K-12 education: dump all that distracting stuff about civil rights and combatting gay-bashing.
• Goldy asks if the state legislature can pass gay marriage, why can’t it fix our regressive tax system? Here’s one potential answer: because the Seattle civic establishment (root of most “progressive” moves in this state) loves gays (“minorities” who can still be upscale and white!) and hates anything that might inconvenience big business.
• The newest e-commerce craze: selling breast milk online. (Make your own pun based on old dairy ad slogans if you like.)
• Mitt Romney’s dad was famous for two things: (1) running American Motors during most of its formative years, and (2) being in Nixon’s cabinet, where he helped devise the “mortgage backed securities” that helped bring down the nation’s economy in recent years.
• Another day, another plea for sympathy toward the (hidebound, ultra-inefficient, conglomerate-ruled) traditional book industry. This time it’s from the Authors Guild. They insist it takes tangible books, tangible bookstores, and old-style publishers to “break” new authors. Which would be an interesting argument if the (major) old-style publishers were still truly interested in “breaking” new authors (you know, with actual promotional budgets and marketing support).
• Graham Joyce at the Guardian scoffs at novelist Jeanette Winterston, who seems to want more novels with “daunting” and daring use of language for its own sake. Joyce insists that profound works can be deceptively “readable.”
• A guy’s going around the book-publicity circuit claiming to have “hooked up” (but didn’t always have sex) with 120 women over a year and a half; despite being bald, overweight, and non-wealthy. In other words, women exist who aren’t obsessed with superficial appearance. (This is news?)
• One more Don Cornelius tribute: Ryuichi Sakamoto on Soul Train!

webpronews.com

The premise of Soul Train was elevator-pitch simple: an American Bandstand for soul music. A hip but authoritative producer/host. Kids, dressed in the latest teen fashions, dancing in a studio to the latest hits. Two or more in-person guests each show, performing live or lip-syncing.

Anybody in the industry, including Bandstand impresario Dick Clark, could have launched such a show.

But nobody had (on a national level) until Cornelius came along.

Cornelius had been a news reader and backup DJ on Chicago radio, and had hosted teen “record hops” in the area. He started Soul Train on a local Chicago TV station in 1970. The following year, it moved to syndication (and to Hollywood). Within a year from that, it was on in 25 cities.

By 1974, when its theme song “TSOP” became a top 10 hit, it was an institution. It easily buried the rival show Soul Unlimited (Dick Clark’s imitation of Cornelius’s imitation of Bandstand).

For two more decades, the show was the showcase for soul, R&B, and the emerging hiphop and breakdance scenes.

By 1993, rap and its related dance moves had steadily gotten more “hardcore,” far from Cornelius’s personal tastes. He hired a series of replacement hosts while continuing to own and run the show, which aired on fewer stations in more obscure time slots.

Soul Train wound to a close in 2006. Reruns aired for another couple of years. After that, Cornelius sold the rights to an outside company, which has put out DVD sets and a YouTube clip channel. (Cornelius had tried to keep Soul Train performances off the Internet, employing staff to hunt down, and order the deletion of, any such clips.)

In his later years, the man who’d preached prosocial messages to his young audiences was accused of domestic violence by his estranged second wife.

But the legacy of his career shines on.

“And as always in parting, we wish you love, peace, and soul!”

• The City of Seattle and the Port of Seattle are getting together to publicize local music at Sea-Tac airport. The campaign will involve piped-in music and in-terminal announcements read by local music stars, plus videos, still images projected on screens, and a local music feed on the airport’s WiFi network. There’s an opening party with four live bands on Saturday. That’s all nice, but what would really make it rock would be Maktub covering Brian Eno’s Music for Airports!
• In the ashes of Masins Furniture’s departure from Pioneer Square and the loss of the nearby 619 Western art studios, ambitious developers say they want to turn two of the three adjoining Masins buildings into “PiSquare Arts,” a complex of work and live/work spaces. The developers vow to make the units “as affordable and artist friendly as we can.” Can any non-subsidized remodel create actual artist spaces, not just architectural offices falsely billed as “artist spaces”? We shall see.
• Who doesn’t like the state’s apparently about-to-pass gay marriage bill? Catholic leaders. Who doesn’t like the Catholic leaders’ dislike? Catholic laypeople.
• Some wags are snickering at Michelle Obama’s current Reader’s Digest cover. They claim she’s making a hand gesture that looks like the American Sign Language image for a certain body part. Of course, she could just be giving a shout-out to her brother, who coaches a certain college basketball team with a certain team name.

bill gates mansion; from cybernetnews.com

• John Burbank says something that needs to be repeatedly said: Washington is a wealthy state with a starved civic infrastructure, due to our over reliance on the regressive sales tax.
• Before this week’s winter weather, our pals at Capitol Hill’s Ghost Gallery got flooded by a leaky ceiling. The landlord won’t even help pay to fix it. They’d like our help.
• It was planned in expectation of just another Seasonal Affective Disorder winter, but it’s still welcome in the aftermath of Snowtopia. Local artists Susan Robb, Sierra Stinson, and  Jim Demetre have schedule an arty Seattle version of a winter carnival. They call it “ONN/OF.” It incorporates a number of installations and performances, all using “light” as a theme. It takes place in Ballard (specifically 1415 NW 52nd St.), Jan. 28-29. Contributors include ex-Seattle musician Otis Fodder (now based in Montreal, where they’ve always had a winter carnival) and his band the Bran Flakes.
• Seattle Weekly shrinkage watch: As a Stranger snark video shows, the Weekly has adopted an ugly squat-square page size, in keeping with other New Times Village Voice Media papers. That wasn’t enough to keep this week’s edition from topping off at a mere 48 (smaller) pages.
• Update: The outdoor feeding program for the homeless, the one the city wanted to shut down? A compromise arrangement may be in the works.
• Thing you might not have expected five years ago: Microsoft’s quarterly profits are flat, as fewer new PCs get sold. It’s not just a matter of new digital platforms. It’s also a matter of companies and individuals deciding the PCs they’ve got are good enough to keep until finances improve.
• William Greider points with thinly disguised glee at Mitt Romney’s primary opponents claiming to despise “vulture capitalism.”
• The copyright lobby didn’t need draconian censorship bills to nab file-sharing giant Megaupload, for better or (in my opinion) for worse.
• More deadly seriousness from “humor” site Cracked.com: “The 5 Stupidest Habits You Develop Growing Poor.”

light in the attic records

The dean of Seattle record producer/engineers passed away peacefully Tuesday at age 81.

Barton spent more than 50 years recording just about anything there was to record here, from jazz and opera to radio shows and commercial jingles. This included several band-released soul 45s from the early 1970s, whose rediscovery spawned the ongoing Wheedle’s Groove project.

But he will be forever known as the “father of the Northwest sound.”

Peter Blecha’s astounding profile of Barton at HistoryLink.org barely scratches the surface of all he did.

For now, let’s just list a few of the many artists with which he worked, many of whose sonic “voices” he’d helped define:

The Kingsmen, Sonics, (Fabulous) Wailers, Frantics, Ventures, Fleetwoods, Little Bill, Don and the Goodtimes, Merrilee Rush and the Turnabouts, Bonnie Guitar, Stan Boreson, Pat Suzuki, Danny O’Keefe, Brothers Four, Dave Lewis Trio, Dynamics, Galaxies, Daily Flash, Springfield Rifle, Black on White Affair, Lewd, Girls, Young Fresh Fellows, and so many many more.

revel body, via geekwire.com

• Seattle’s really got some high-tech hardware geniuses. Among them: the folks who’ve taken the same principles behind the Sonicare toothbrush and applied them to create advanced 21st century vibrators! (Really.)
• We’ve previously mentioned the strong presence of women’s erotica among Amazon’s e-book sales. Now come charges that some of the self-published smut books are stolen from stories posted for free viewing on erotica websites. (These allegations are against the small-time publishers, not Amazon.)
• Crazy Wall St. idea of the week (thus far): A local corporate-buyout analyst showed up on CNBC and said Microsoft should buy Barnes & Noble.
• Here’s one way to make money off of the walking renaissance. Make a big venture-funded software thing to help folks find homes to buy in walkable neighborhoods.
• Our ol’ pal Geov Parrish believes the state budget mega-crisis might, just might mind you, lead to talk, or even actual action, toward reforming Washington’s mighty regressive tax system—by far the principal failing of a local “progressive” politic that never dares challenge big business.
• On a related matter, state House Speaker Frank Chopp is floating the idea of Wash. State running its own bank, just like North Dakota. Or something as close to a bank as the state constitution now permits.
• The Mariners lose one really good pitcher, gain one maybe decent-hitting position player. What could possibly go wrong?
• Who knew the original Ladies’ Home Journal was so prescient? A 1911 list of “What Might Happen in the Next Hundred Years” predicts “telephones around the world,” airplanes used as “aerial war-ships,” automobiles “cheaper than horses,” “trains one hundred and fifty miles an hour,” grand opera “telephoned to private homes,” photographs “telegraphed to any distance,” “cameras electrically connected with screens at opposite ends of circuits,” ready-to-eat meals in stores, genetically modified foods, and even global warming. Writer John Elfreth Watkins Jr. did get a few things wrong, such as “hot and cold air from spigots,” the deliberate extinction of mosquitos, and the removal of C, Q, and X from the alphabet. Watkins also didn’t predict that his magazine would still be in business today, after many of its compatriots went to the great newsstand in the sky.
• Clever videomakers in Montana have released a thoroughly obliterating parody of a particularly dumb “rebel lifestyle” pickup truck commercial.
• And a great big thank you for those who attended the Seattle Invitationals Sat. nite, at which I performed what I hope was a respectful, straightforward rendition of the Presley classic “You’re So Square (Baby I Don’t Care).” Since this is the 50th anniversary of the Seattle World’s Fair, I’d wanted to perform the best song from It Happened at the World’s Fair. But the live band didn’t know it. So here it is for all of you, in the original rendition.

grouchymuffin.com

Don’t ask me how or why, but I’ve again gotten volunteered into performing at this year’s Seattle Invitationals, a contest for Elvis Tribute Artists (ETAs). It starts at 8 p.m. tonight (Sat. 1/14/12) at the Experience Music Project within Seattle Center. Be there or be Pat Boone.

• It was that rare example of a small entrepreneurial outfit thriving within the nesting arms of a global brand. But no more. Raise a pure-cane-sugar-sweetened toast to the demise of Dublin Dr Pepper.
• What if they gave a gay-marriage debate and none of the “antis” came?
• A Wall St. Journal essayist believes Eastman Kodak might have survived the film-to-digital metamorphosis if only it hadn’t been HQ’d in the company town of Rochester NY, where management felt too beholden to company-owned factories and U.S.-based union workers. I say bosh. Kodak once had great marketers and designers who knew the shtick of “planned obsolescence,” issuing new consumer film formats every two years (and pressuring local processing plants to re-gear for each of them). The digital realm, where obsolescence is a natural byproduct of rapidly improving technologies, should’ve been perfect for them. But they let Japanese companies out-market them. A shame.
• Wendy Gittleson at AddictingInfo.org exaggerates a little when she claims Bain Capital (Mitt Romney’s former corporate-raidin’ firm) “owns most conservative and some liberal radio stations,” and that these forces are helping make Romney’s nomination a done deal. Bain is a non-controlling shareholder in Clear Channel (owner of some 1,000 radio stations of various formats, including KJR-AM-FM here) and Premiere Radio Networks (syndicator of many conserva-talk stars, plus libs Randi Rhodes and Jesse Jackson). And many Premiere conserva-talkers have been part of the right’s “anyone but Mitt” crusade.
• Another state’s Republicans want to force mumbo-jumbo “creationism” down public school students’ throats. And college students’ throats too.
• In 2006, the Federal Reserve Board fiddled while the housing bubble prepared to burst.
• Mr. Krugman explains better than I: “America Isn’t a Corporation.” Running government “more like a business” never works. Especially when the model for “business” is today’s dysfunctional, hyper-corrupt corporate world.

iloveyoubluesky.blogspot.com

• How-the-mighty-have-fallen dept.: Last year folks mourned the end of Kodachrome slide film. Now, Eastman Kodak itself may declare bankruptcy. The only thing that could delay that move: a fire sale of Kodak’s patents, its only remaining valuable assets.
• The Wash. State Supreme Court ruled the state Legislature is failing in its constitutionally assigned task to fully fund K-12 education. But the court didn’t prescribe any specific action to remedy this. I’m hoping this means the days of brutal, all-cuts state budgets are finally over.
• Speaking of which, some legislative Democrats have another state income tax proposal going, as part of an overall tax reform package. We’ll see how far this one goes.
• The movie biz had a lousy ’11, but music sales (led by commercial downloads) were up 6.9 percent. Non-major-label releases, however, were stuck at about 12 percent of total sales.
• The folks who created the “phone book art space” Gallery 206 tried to give it away to the Seattle Art Museum. They said no, expectedly.
• Not as gruesome as you might have thought: The guy who tried to drive alone in the HOV-only freeway lanes by having a dressed-up skeleton in the passenger’s seat? It was just a plastic skeleton.
• Yesterday when we said Boeing Wichita’s demise was Seattle’s gain? Nope, not really. Blame the obsession by corporate hotshots with outsourcing everything, even if it costs more in the long run.
• Update: That smashingly good sounding “Electronic Literature” exhibit in town, tying in with the Modern Language Association convention at the Convention Center? If you live here, forget about seeing it. It’s only for ticketed convention goers, despite what its web page says.
• R.I.P. Robert Jenkins, a figure in the Seattle music scene for more than three decades. I knew him in the ’80s, playing guitar for Audio Leter, Officer Down, and the New Art Orchestra, among many other combos. Lori Goldston’s obit says Jenkins…

…had an otherworldly timbral and expressive range with both guitar and voice, ranging from beautifully sweet to guttural monster-from-Hell.

4cp.posterous.com

• John Hilgart has a whole web-gallery site of old-time comic book art, in the form of enlarged details from individual panels. And he’s got an aesthetic essay praising the medium as it had been in the pre-“graphic novel” days. Hilgart’s specifically talking about the comics’ crude, now obsolete, four-color printing process. His essay’s title: “In Defense of Dots.”
• Paul Constant offers up a long, devastatingly funny essay on the Iowa Caucuses, without once mentioning Dan Savage’s successful re-definition of “santorum.”
• Chauncy DeVega’s take on the caucuses: The GOP has now fully coalesced around a platform of “‘common sense’ racism.”
• You might not have heard lately from “Walden Three,” Greg Lundgren’s scheme to put a multimedia arts center into the old Lusty Lady building, and to privately fund it all under the auspices of a documentary film shoot. Lundgren’s still at it.
• In the fixed game of job blackmail, Seattle’s gain is often some other burg’s loss. That’s what happened when Russell Investments moved north from Tacoma. Now it’s happening again with the demise of Boeing Wichita.
• Blogger “Rottin’ In Denmark” has posted a love letter to Seattle, entitled “My Hometown Is Better Than Yours.” Much more than a mere series of tourist photos, it’s a series of municipal one-upsmanship boasts captioning each still:

Seattle invented bricks and mortar in the 5th century BC. Then in the 20th century AD, it invented Amazon.com and made them obsolete.

The sun is literally always shining. Those clouds were artificially pumped in because there were out-of-towners visiting and we didn’t want them to stay.

(beneath a shot of an Olympic Sculpture Park installation) This is a totem we erected to protect us from Courtney Love.

1944-era logo of the first seattle star, now topping the new seattlestar.net

• With the new year we must say goodbye to Swerve, the downtown retail core’s last speciality music and video shop. Its owner had insisted the store was profitable, but she had a new opportunity out of state. With Borders gone, and new Target, Nordstrom Rack, and J.C. Penney outlets still unfinished, Swerve’s loss just adds to the number of holes in downtown’s shopping spectrum.
• Also gone is Seattlest, the locally run but out-of-town owned culture and entertainment site. Its contributors have gravitated to some new all-local startups, including SEA live MUSIC (the name says it all). Another new refuge for Seattlest vets is the cross-genre arts site The Seattle Star. Its founders deliberately chose a name previously used first by a small but spunky afternoon daily (1899-1947) and then by Michael Dowers’ still fondly remembered comix zine (1985-89).
• The indie Greenwood Market, after several years of uncertain future, is finally being razed so Kroger can expand its adjacent Fred Meyer.
• As another dreary Legislative session’s about to start, ex-State Rep. Brendan Williams bashes Oly Democrats as professional cavers.
• R.I.P. Ronald Searle, 91, satirical illustrator ne plus ultra and “Britain’s greatest graphic artist.”
• The feisty-as-ever Roger Ebert has a list of reasons why movie revenues were way, way down in ’11. “Too many sucky movies” isn’t even on the list.
• We’ve linked in the past to gadfly pundit Glenn Greenwald and his diatribes against those he believes are too capitulant toward the right. He’s added Obama, and anybody who supports Obama, to his targets. But Greenwald went too far when he alleged that Obama could “rape a nun” on live TV and his supporters would still back him.
• Speaking of rash allegations, Bloomberg.com’s got a UK academic who claims Wall Street, and perhaps U.S. business in general, has been taken over by “corporate psychopaths.”
• We close with a lovely picture of the highly unofficial “Occupy the Rose Parade” float, a 70-foot octopus made from plastic grocery bags. Looks just like an oversize version of something you’d see at any Fremont Solstice Parade.