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Finally! Snow in the city, spectacular and beautiful (and rare and very temporary). Non-meteorological topics this day include gift books for the budding political activist in your family; a new, almost-1,200-unit residential complex; another local alt-media source needing support; a woman who videoed her own racial hate crime; and the usual umpteen weekend things-2-do.
Seventy-five years since Pearl Harbor, and not only are some dorks thinking of the Japanese American internment as a model for future endeavors, but also a serious totalitarian threat faces us not from without but from within. In relatively lighter topics, we’ve found one person who doesn’t like the new spiffy Wallingford transfer station; a local troll-avenger just might become the subject of a scripted TV series; a hotel project’s potential threat to the Chinatown-International District; and Seattle’s now home to America’s No. 5 airline.
You all know the big story of the day, and how it will have a “half-life” for days and years to come. But we’ve also got more upbeat stuff, like stuff about keeping sewage out of the Sound; a jury’s defiant statement against racist policing; and how “mislabeled” seafood might be better for the planet than the real stuff.
Our big, big LOSER book reissue may “go live” any day now. Not yet, but soon. Real soon. Other people are waiting for a gallery with native American art by a real native American artist to open; to learn whether or not the GOP candidate’s coming to Washington; and to see whether the proposed new anti-“sweeps” legislation comes about. We’ve also got the usual plethora of weekend events.
Warm and dry weather’s expected to end today, but MISCmedia MAIL keeps going with lobbyists who want to keep your “biometric” data; the big Alaskan Way midrise project’s off again; another unlikely industry for a female chief executive; Amazon’s going “fashion forward;” and remembering when right-wing kitsch was considered funny.
It’s Lent, but don’t give up your daily MISCmedia MAIL. Why, today alone we’ve got a plan to stop the Legislature’s pathetic-ness; differing views on the state “affordable” housing tax credit scheme; SPU students challenge white privilege; Amazon’s (alleged) big-big-big cargo plans; and an artwork honoring a Northwest legend.
Tim Eyman’s convoluted screw-the-state initiative is just as unconstitutional (and sleazy) as we all knew it was. Also in your weekend digest: A planned office tower’s big middle finger to the streetscape; another scheme to tilt the Electoral College rightward; plans for the world’s biggest ethanol refinery; the 747’s slow demise; the usual scads of weekend stuff-to-do.
famousfoto.com, via mooreslore.corante.com
It seems like just yesterday that I was complaining about KOMO firing its pundits Bryan Johnson and Ken Schram, and about its parent company bringing hate talk back to KVI-AM.
We’ve got a bigger problem now.
Fisher Broadcasting, the only owner KOMO-TV and Radio has ever had, is being sold.
That would be bad enough. Fisher was the last locally-owned major commercial broadcaster around here, and its loss would complete the capture of the Puget Sound’s airwaves by big out-of-state station groups.
But this particular out-of-state station group is far, far worse than most.
It’s Sinclair Broadcasting.
More than any other station group (even Fox’s company-owned broadcast stations), Sinclair imposes right-wing propaganda content on its properties.
In 2003, Sinclair ordered ABC affiliates it owned not to run a Nightline episode about Gulf War combat deaths.
In 2004, Sinclair ordered all its stations to run, in prime time, a propaganda film by the “Swift Boat Veterans for Truth,” spreading false allegations about John Kerry’s service record in Vietnam.
In 2010, Sinclair ordered six of its stations to run, in prime time, an even less-true GOP propaganda film branding Obama as an anti-democracy extremist and an ally of mideast terrorists.
Oh—and like so many other companies in so many industries, it’s been severely hiking executive pay packages while severely cutting workers’ wages.
Margaret Thatcher’s recent death has sprung off a veritable gusher of reaction, much of it vitriolic.
This is to be expected in regard to the woman who oversaw the brutal decimation of the UK’s “welfare state” and the destruction of its once-mighty industrial base.
The woman who so firmly delivered that nation into the hands of financiers that even the opposition felt it had to conform (becoming the anti-working-class “New Labour”).
The precursor (and intellectual superior) to Reagan (whose regime, as you recall, was also run by “a strong woman”) and an inspirer/co-conspirator in the crimes of Reaganism, crimes whose long term effects still plague this country today.
The friend of despots and state terrorists who never met a dictator she didn’t like (so long as said dictator professed to be anti-Communist).
The inspirer of a wealth of deservedly angry protest music, which helped to transform punk and “postpunk” from an aesthetic niche into a sociopolitical movement, at least in the British Isles.
In her day, and since, some have argued that Thatcher should at least be respected as “a strong woman,” and even as a feminist of sorts.
I would argue that she helped disprove one of the most easily disproven tenets promoted by some feminists, that “Women” are innately the Moral Sex.
And Thatcher helped prove another tenet, that a woman is capable of doing anything. Including very, very bad things.
Thatcher, of course, didn’t do all she did by herself.
She was an active frontwoman for a group of movements with different but similar goals—to defund the poor, to smash organized labor, to redistribute wealth into fewer and fewer hands, to turn the state into the tool of financial speculation, to prop up even more brutal regimes from Chile to South Africa.
And Britain, and the world, are still feeling the ills from them.
spoon-tamago.com via buzzfeed.com
from the book 'mail order mysteries' via laughingsquid.com
Having finally gotten the Boomerang cable channel, I’ve become re-acquainted with the early Hanna-Barbera cartoon shows (Huck, Yogi, Quick Draw, ‘Stones, Top Cat, Jetsons, Jonny Quest). They didn’t have fluid movement but they had great visual composition. They had pleasing character designs and cool semi-abstract backgrounds. They had funny dialogue. Then the company got too big and everything went downhill. This B.C.-based blogger explains it all thoroughly, including the links between the Jetsons look and the Space Needle (hint: ours came first).
seattle chapter, american institute of architects via kplu.org