…(T)he madness of the GOP is the central issue of our time.
…The success of the avant-garde marks its failure. This is not news. We’ve been domesticated, no matter how fantastic and provocative we might be, into just one niche culture among many. We’re fun, and good, and even progressive, but all the rest of it is fantasy.
tacoma news tribune
erika j. schultz via twitter
…fraudulently collecting $11 billion in government aid by recruiting low-income students for the purpose of collecting student aid money. Whistleblowers claim that students graduate loaded with debt and without the means to pay off the loans, which are then paid for with taxpayer dollars.
the reason stick at blogspot
the new yorker
Yep, there was another Pride Parade in Belltown, heading toward another PrideFest in Seattle Center.
This year’s installment was even more festive than most, thanks to the U.S. Supreme Court ruling against one specific federal anti-gay-marriage law; following the voter-approved start of gay marriages in this state late last year.
And, as always, the parade provided major companies with a chance to show off just how welcoming they are toward clean-cut, well-dressed, upper-middle-class people with good tastes in music and home decor.
But gay pride, and gaydom/queerdom in general, shouldn’t be about being the “ideal minority” for a segment of corporate America.
It shouldn’t be merely about recreation, food, drink, and other consumer practices.
For that matter, it shouldn’t be about sexuality as a consumer practice.
It shouldn’t be about an all-white “rainbow.”
And it shouldn’t be about imposing an oversimplified straight/gay social construct on top of an oversimplified female/male social construct.
It should be (and, at its best, it is) about universal inclusion. Of all gender-types, gender-roles, and consensual relations. (PrideFest’s ampersand logo this year expresses this with simple elegance.)
It should be about being who you individually are, without imposed identities (even “progressive” imposed identities).
And, of course, it should be about love.
Known for decades as a cranky reactionary political commentator, you might find it hard to believe he’d started as a Seattle Times art and theater reviewer.
There, and later as managing editor at the P-I, he regularly advocated for the “fine arts” as a civilizing force, a means toward furthering the region’s progress from frontier outpost to respectable conservative community.
When the Seattle World’s Fair ended, Guzzo famously editorialized that the fair grounds (to become Seattle Center) should be devoted entirely toward arts/cultural pursuits. He specifically did not want any amusement-park rides there. He lived to see them finally removed.
One of Guzzo’s closest allies in this education-and-uplifting ideology was Dixy Lee Ray, who ran the Pacific Science Center. He later worked for Ray at the Atomic Energy Commission and during her one term as Washington Governor.
After Ray was primaried out of a re-election bid in 1980, Guzzo became a regular commentator on KIRO-TV. That’s where, in 1986, he delivered a blistering attack against greasy-haired, anti-social punk rockers. (The motivation was the infamous Teen Dance Ordinance, which Guzzo supported.)
In response, a local hardcore combo called the Dehumanizers released a blistering attack on him, in the form of a 45 entitled “Kill Lou Guzzo” (which began with a sample of Guzzo’s original commentary). Guzzo sued the band and its record-label owner David Portnow. Portnow responded by pressing more copies.
After retiring from KIRO at the end of the 1980s, Guzzo started a “voice of reason” website and self-published several books.