factmag.com

• Somebody thought it would be cool to try to laser-etch a phonograph record onto wood. The result sounds a bit like the early, dial-up-connection versions of RealAudio.
• Item: Indoor pot growing uses lotsa electricity. Comment: You mean stoners aren’t the purest-O-the-pure eco-saints? Next thing, you’ll be saying electric cars and wood stoves aren’t pure-green either.
• Oh, Those Kids Today! #1: Monica Guzman insists today’s under-30 folks aren’t entitlement-obsessed narcissists, but rather are “people waking up to their own power and not being willing to compromise it.”
• Oh, Those Kids Today! #2: Young adults are even driving less than prior generations. How un-American can ya get?
• The Legislature’s special session could see a Dem-controlled State Senate again. Maybe.
• Seattle teachers who refused to administer standardized tests have achieved a partial victory.
• Just last week, we bemoaned the idiotic prose and strained “corporate hip” attitude of KOMO’s “young skewing” local website Seattle Pulp. Now the whole site’s dead, without even leaving its old posts alive.
• Are the Sonics Back Yet? (Day 126): No. But we should have the final, final answer (for this year at least) on Wednesday. Don’t get your hopes back up. But hold on to the love.
• Meanwhile, the Oklahoma Plunder thought it would just be keen n’ dandy to play tracks by Sonics-purist and Seattle’s-honor-defender Macklemore in their arena. Nope, no way, uh-uh, no siree bub.
• Might Microsoft buy Barnes & Noble’s Nook ebook hardware operation just to kill it?
• Amazon’s fledgling in-house book publishing operations might expand to include “literary fiction,” whatever the heck that means anymore.
• Disappeared local institution we neglected to mention earlier: the Green Lake Baskin-Robbins.
• Weird crime story of the week: “Woman who killed ex with insecticide-laced Jågermeister pleads guilty.”
• It’s illegal but it happens anyway: denying employment to people for the sin of being in debt due to being unemployed.
• Katy Evans at the Tacoma group blog Post Defiance notes how indie live music has become a more complicated, bureaucratic, and problematic biz, especially in towns like hers in the shadow of bigger towns.
• Seattle Times Shrinkage Watch: The paper’s own reporters have to pay for website subscriptions to their own work. Except they can “opt out” of it if they insist.
• You remember how the New Orleans Times-Picayune went to only three print issues a week? No more. They’re now putting out newsstand-only editions on the four non-home-delivery days, just like the Detroit papers are.
• Talking into computers and expecting them to understand you has always been, and apparently will continue to be, little more than a screenwriters’ conceit.
• Anthony Galluzzo at Salon wants you to stop the hipster-bashing already. He says it’s old, tired, and becoming classist.
• Jim Tews, who describes himself as “a decent white male comic,” insists that most white guys performing standup are not sexist boors.
• No, Rolling Stone readers, Nirvana is not the fifth worst band of the ’90s. That would actually be Sugar Ray.

• We’ve got to save Metro Transit from the devastating cuts that have decimated Snohomish and Pierce counties’ transit systems. There’s a public forum about it on Tuesday, 5/14, 3 p.m. at Union Station. (Despite the unfortunate, pseudo-snarky tone of the hereby-linked article at KOMO’s SeattlePulp.com, its message is important.)
• While upscale NIMBYs fight to keep those dirty non-upscale people out of their “clean” neighborhoods via attacks on “aPodments” (the only affordable, non-subsidized housing being built in town these days), the building of mass-produced “exclusive” luxury apartment towers continues unabated.
• Seattle Weekly Shrinkage Watch: Restaurant reviewer Hanna Raskin (with whom I appeared last year at a MOHAI/Seattle Public Library “History Cafe” panel) has quit, rather than accept a lower-paying job as a “food and drink editor.” Back in the Weekly’s heyday, restaurant reviews were more prominent than any other “culture” category, accounting for almost a quarter of the paper’s cover stories. Now, they might or might not be part of the paper at all. (The Weekly’s also fired its music editor Chris Kornelis.)
• Meanwhile, the Weekly’s onetime sister paper the Village Voice is down to 20 editorial staffers. Its two top editors received orders from on top to cut five of those positions. Instead, they quit.
• Amitai Etzioni at the Atlantic claims “the liberal narrative,” which he defines as support for big-government paternalism, “is broken.” No, it isn’t. It’s government itself that’s broken, and only the “liberal narrative” has the means to fix it.
• Jeanne Cooper, 1919-2013: The dowager “Duchess” of The Young and the Restless had played the same role for just short of 40 years. Before that she’d been in countless westerns and dramas (The Twilight Zone, Perry Mason, etc. etc.). Her three kids include L.A. Law/Psych star Corbin Bernsen.
• In not-at-all-surprising news, YouTube will add paid-subscription channels.
• Let’s close on a happy note (on the 80th anniversary of Hedy Lamarr’s breakthrough film Ecstasy) with Hysterical Literature, a video project by photographer Clayton Cubitt. In each segment a woman reads from a favorite book while, out of camera range, a second woman gives her a Hitachi Magic Wand vibrator treatment. (NSFWhatever.)

via criminalwisdom.com

usatoday.com

The first half of the Gannett Co. boss’s career was relatively ordinary.

He ran a company that bought up local-monopoly daily newspapers across the country. The papers (including, for a time, the Bellingham Herald and the Olympian) became more “professional,” if blander and more budget-conscious, under Gannett management.

By the late 1970s, Gannett owned papers (and printing presses) near most major metro areas.

That turned out to be the quiet groundwork for Neuharth’s real dream, USA Today.

Launched in 1982, “The Nation’s Newspaper” never completely fulfilled its journalistic promise, to be a paper whose “home town” was the entire country (as opposed to the “media capital” cities of NY/DC).

But it revolutionized domestic newspaper design and organization.

It revived the old newspaper tradition of short, sharp prose and a lively attitude.

It predated the Web with its emphases on graphics and on juxtaposing a wide swath of subject matter.

It became a companion for America’s business-trip nomads, that small but demographically significant caste of people living much of their years between airports and hotels.

It brought out-of-town sports and weather coverage (and snippets of news coverage) to people living far from their old homes and home teams.

And its success led the NY Times to launch national distribution. (For the longest time you could only get the NYT in the Northeast or from specialty out-of-town newspaper stands.)

No, USA Today never met lefty intellectuals’ Platonic ideals for newspapers. (To do that, it would have to have been an NYT clone with semiotics essays added.)

And even by its own standards and ambitions, its front (news) section was usually its weakest part.

But it added a “new voice,” a different set of news priorities, to the national conversation.

via jerry beck at indiewire.com

• Jonathan Winters, 1925-2013: The groundbreaking comic actor was a made-it-look-easy genius at everything from improv to scripted character roles, from pathos-touched bits to pure zaniness. And his first and last film credits are both in cartoons.
• BuzzFeed lists 35 “Truths About Seattle.” Not all of them actually are true. Not everyone, for instance, works at Microsoft.
• If we really are witnessing the “Death of the PC,” it’s neither Microsoft’s nor Apple’s fault. It’s just that with so much PC use and even functionality centered on Web-based stuff, home users have fewer reasons to upgrade their hardware. (OK, maybe Windows 8 isn’t helping.)
• Seattle will have two teams this summer in the Women’s Premier Soccer League, which claims to be the “largest women’s league in the world” based on the number of teams (70, coast-to-coast). It will also field teams this season in Issaquah, Spokane, Eugene, and something called “Oregon Rush.” (The league’s more exclusive “Elite” division will also have a Seattle team this year, name to be announced.)
• Those forever out-of-order escalators in the Seattle Transit Tunnel have logged their first fatality.
• Bruch Nourish at the Seattle Transit Blog has an idea for improved transit across the Ship Canal: make the Fremont Bridge for transit (and bikes and walkers) only.
• Seattle and New York are vying to be the capital of “Big Data.” I’m still not clear just what “Big Data” is.
• Sports blogger Chuck Culpepper has a lovely remembrance of the late local college basketball coach Frosty Westering.
• Would anybody want to go to a hospital where nurses have to take unpaid overtime and no breaks?
• A British author claims “news is bad for you, and giving up reading it will make you happier.” I know this becuase I read it on a newspaper’s site.
• Reader’s Digest in bankruptcy: But does it still pay to increase your word power?
• Candy doesn’t make you fat. Or so a major candy-industry PR campaign would have you believe.
• The scandal isn’t that Mitch McConnell was caught talking like a scumbag. The problem is that McConnell is a scumbag.
• Having apparently grown tired of waging the War on Women, the Rabid Right is now waging a full-on War on Sex.
• Porn industry revenues have fallen by almost two thirds in the past eight years. The usual suspect: free online content. A less usual suspect: could audiences finally be tiring of formulaic, loveless mating exhibitions?
• Besides books (yes, really), the other legacy-media segment that’s best survived the digital-age “disruption” (a term I’ve already said I hate) is cable TV programming. But with more and more “cord cutters” among the populace, can the cable channels’ owners still demand their lucrative “bundling” deals with service providers?
• America’s most implausible entertainment export these days might be the popularity of subtitled Jon Stewart clips in China.
• Let’s close today with a guy who’s painstakingly made miniature models of iconic TV show settings.

via seattle bike blog

• Enterprising citizens calling themselves “Reasonably Polite Seattleites” took it upon themselves to install unauthorized “bicycle lane protectors” (reflective plastic pylons) along Cherry Street uphill from downtown. The city vows to remove them.
• Seattle police chief John Diaz will retire, allowing Mike McGinn (or perhaps a successor mayor next year) to put in another figurehead for uncontrolled street-cop brutality.
• In a Belltown where anything non-one-percenty is increasingly out of place (more about that in a day or so), Roq La Rue has been kicked out of its longtime space in the old Film Row RKO distribution offices. Fortunately, Seattle’s premier “pop surrealist” art gallery has found new quarters in Pioneer Square, effective some time this summer.
• Meanwhile, a Crosscut contributor named Andy Fife asks whether there is a “Seattle arts aesthetic.” Actually, there are several. There’s the “world class or bust” desperate slickness of most of SAM’s big permanent displays. There’s the “rich ex-hippie” mellow slickness of Chihuly and company. There’s the “modern monumentalist” big stuff seen at the G. Gibson and William Traver galleries. There are the house styles of Cornish and Gage and their recent alums. And there’s the “let’s put on a show” urban folk/pop styling of most of my personal faves.
• New Orleans city bosses apparently want to simultaneously (1) shut down music venues, and (2) promote their city as a live-music tourist destination.
• NBCNews.com blogger Wilson Rothman claims Apple’s iTunes is “out of date and out of touch.” Specifically, Rothman dislikes the whole idea of having to pay for song recordings. He seems to prefer the Spotify model, in which artists make fractions of fractions of pennies. That’s supposed to be the modern way?
• Here’s one author who hates the new economics of the book biz—Scott Turow, one of the few writers who’d thrived under the old system.
• Joshua Macht at the Atlantic claims Time magazine has perhaps three years to live.
• Hacked computer data shows the global one-percenters are hoarding trillions in secret overseas tax-haven accounts. Leaders of nations other than ours claim to be aghast.
• The newspaper industry has started measuring revenue from online paywalls and ancillary products/services. The resulting figures show papers are now losing a little less money than previously thought.
• The death last week of Spanish exploitation-film giant Jess Franco has been followed by the loss of another of that country’s great directors of sex and/or violence, Bigas Luna.
• Annette Funicello, 1943-2013: The only original Mickey Mouse Club cast member to have a real adult showbiz career was the wholesome sex symbol in the Beach Party movies, and a pop singer of unusual clarity and panache. During her cameo in the Monkees’ film Head, she proved not afraid to parody (without breaking) her squeaky-clean image. She remained gracious and classy, even during her long slow illness.
• We’ve also lost Les Blank, who directed 42 documentaries of varying lengths and topics (all shot on film). He’s probably best known for Burden of Dreams, the “making-of” film about Werner Herzog’s Fitzcarraldo. Many critics considered Blank’s behind-the-scenes story to be more compelling than Herzog’s feature.
• And another goodbye, this one to Hilly Krystal, influential owner of NYC punk club CBGB. While he opened it as a hippie spot dedicated to “country, blue grass, and blues,” he quickly adjusted to welcome the burgeoning Bowery underground scene. The result was what the New Yorker called “the ultimate garage—the place garage bands everywhere want to play.” (Update: This hereby-linked story is from 2007. Krystal’s still worth remembering nowadays, though.)
• Femen and associated groups held an “international topless jihad day” across European capitals, though the slogans painted upon themselves seemed to almost all be in English.
• Ending the drug war was never one of Obama’s top priorities. I suspect it’s because the whole bohemian-relaxation vibe clashed with the striving-for-progress zeitgeist that informed Obama’s worldview. But, as with gay marriage, he may be soon forced to act by a groundswell of popular opinion.
• The Nielsen ratings now claim there are 5 million “zero television” households in the U.S., up from a mere 2 million in ’07. (The “kill your television” “radicals” will, naturally, completely ignore this information.)
• Meanwhile, Rupert Murdoch’s minions threaten to pull the Fox broadcast network off of over-the-air stations (including affiliates tied up in long-term contracts) and go cable-only, unless the courts outlaw a service to stream local over-the-air stations to local viewers via Internet connections.

latimes.com

So much has been written already about the beloved film critic, TV host, author, Russ Meyer screenwriter, champion of obscure good films, vilifier of stinkeroos, and stoic survivor of one of the worst cancers anybody ever had.

I can only repeat what’s already been said—that Ebert was admirably both a film-lore geek and a populist, a man of aesthetic standards who wasn’t above enjoying (and helping make) down-n’-dirty exploitation, and a great wit.

Here are two pieces of his that have been rediscovered of late.

In the first piece from 2010, he looks back at his post-adolescence, in an era when college administrations still actively attempted to prevent students from having sex.

Then in his 2011 memoir Life Itself, he discusses his completely grody cancer and says, “I do not fear death.” And he explains his political stance:

“Kindness” covers all of my political beliefs. No need to spell them out. I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world.

Here are reminiscences of Ebert by two Seattleite members of his longtime blogging team, Jeff Shannon and my ol’ UW Daily staffmate Jim Emerson.

• When bad covers happen to good novels….
• The (beautiful) wooden Elvis statue outside Mama’s Mexican Kitchen was stolen. We who all adore it need it back.
• Every now and then, civic boosters talk about bringing the Olympic Games to Seattle. Such efforts have traditionally been quashed quickly by locals worried about traffic and local-government subsidies. But this time (for the 2024 Summer Games), could the boosters have the upper hand over the NIMBYs?
• City Councilmember Richard Conlin says housing for poor people should be kept in the south end, away from all the nice-upscale people.
• (Meanwhile, it’s good to remember that America’s urban ghettos were the historic result of specific policy/planning decisions. Do an online search for “redlining” and “blockbusting” to learn more.)
• “Tiny houses” are all the rage in certain circles. But wanting to plop one down inside a city, well that’s news.
• At least one ESPN pundit predicts the Seattle Mariners will be “this year’s surprise team.” In recent years, as you know, the M’s have provided too many of the wrong kind of surprises.
• Wash. state is Number One! (In making higher education unaffordable, that is.)
• Seattle teachers’ protest against standardized testing has reached the eyes and ears of the New Yorker, which notes that this particular test is not used so much to evaluate students as it is to evaluate the teachers themselves.
• The Catholic Northwest Progress, the regional archdiocese newspaper, is the latest grave in the print-media cemetery. The paper’s incessantly anti-gay-marriage stance probably didn’t help.
• The years-in-the-promising Bell Street “boulevard park” project is finally starting construction. When it’s done, Bell will have one lane of traffic and one lane of parallel parking; the rest of the right-of-way will be extended sidewalks and planters.
• The thing about the Vancouver BC company’s inadvertently see-thru yoga slacks: The women who attend these classes and wear these clothes are often trying to show off their figures, not to men but to other women, not to attract desire but admiration/envy. But that doesn’t work if the “exposure” is too blatant.
• In the ten years since the Iraq War, the buildup to same, and the almost unquestioned media cheerleading for same, have we learned anything (except to distrust the media)?
• In the Internet era, news readers have umpteen sources for big national/global stories, but far fewer people reporting local events or investigating local dirt.
• Montana may make roadkill legal to eat: On tonight’s dessert menu, chocolate moose.
• After testing the waters in commercial book genres (romance, mystery, etc.), Amazon’s getting into the “literary” book racket.
• While the “people of the book” were making their usual noisy gripes that everything was going to hell, independent bookstores have staged a quiet comeback.
• Speaking of naysaying the naysayers, Bono would like you to know that many worldwide trends (poverty, AIDS, etc.) are actually on a positive swing these days.
• Is Jay Leno finally being pushed into retirement? For real this time?
• Urban-planning pundit Richard Florida made big bucks from instructing cities how to pursue “the creative class.” Now he says (sort of) that that doesn’t work.
• Following Chris Ware’s acclaimed Building Stories, local art-book press Marquand Books is putting out another “box set” graphic novel, containing objects of different sizes and shapes telling one meta-narrative. It’s The Magician, by onetime Dallas arts promoter Chris Byrne. It’s an ultra-limited-edition product. Its artistic ambitions, if anything, are greater than those of Ware’s work.

• Are the Sonics Back Yet? (Day 65): No. But the would-be team buyers and arena developers have posted conceptual art of the proposed arena’s interior. It’s got a steep seating bowl and three “Sonics Rings” around the upper levels. Yes, it’s intended to be loud.
• Damning With Faint Praise Dept.: The Financial Times claims Boeing investors are not as “narrow-minded” as the company itself “(mostly) is.”
• I won’t be the new Seattle Weekly editor. (They didn’t even email me back.) Instead, they’re poaching Mark Baumgarten from CityArts.
• Meanwhile, John Roderick’s Weekly manifesto, “Punk Rock Is Bullshit,” has drawn national attention. Blogger Marianne Spellman calls Roderick’s piece an example of “how to get everything spectacularly wrong.”
• The latest gravestone in the print-media cemetery belongs to an “alt-weekly” pioneer, the venerable Boston Phoenix.
• You know the new Pope is just as anti-gay and anti-contraception as his predecessors. You might not know he was a serious collaborator with Argentina’s ruthlessly homicidal former junta.
• Today’s lesson in the folly of marketing products “For Women” is brought to you by a Dubai computer company. It’s selling a tablet device called the Femme, pre-loaded with shopping and dieting apps.
• 3D printing, that latest tech craze, isn’t quite up to the hype. Yet.
• Hostess snacks may again be made soon. Probably not in Seattle, though. That property’s just too developer-lucrative now.
• Three devoted fans have a dream, to rebuild the bridge set from Star Trek: The Next Generation. Even though they don’t have a place to put it.
• Bob Woodward’s John Belushi bio, according to a guy who re-tracked-down its sources, got most of its facts right but still got the bigger picture all wrong.
• In the Japanese tsunami of 2011, an historic forest on the country’s coastline fell—except for a single tall, thin tree. That tree eventually succumbed a year later, because its ground water had become too saline. But it’s remembered in a monumental plastic-and-metal sculpture, “Miracle Pine.” (The scaffolding in this image will be removed before the official unveiling.)

architizer.com

• Sound-effect words in comics: to ugly-art maestro (and great Washingtonian) Basil Wolverton, they were an art form all their own.
• The State Legislature could help save Metro Transit. But will it?
• A Chinese-American family gave a lot of Chinese robes and other objects to the Tacoma Art Museum, hoping they would be a permanent reminder of our region’s ugly racial history. Decades later, the museum’s current management decides to auction them off out-of-state. However, the story’s even more complicated.
• Mr. Kim Thompson, one of by ex-bosses at Fantagraphics, has lung cancer.
• The Belltown Business Association’s got a lovely virtual tour of Belltown’s history.
• It’ll take years to even start getting nuke waste out of Hanford’s leaking tanks. And the sequester’s just slowing the task down a little more.
• As T-Mobile prepares to digest MetroPCS, the layoffs arrive. Lots of ‘em.
• First, the AOL/Time Warner corporate marriage collapsed. Now, Time Warner itself is splitting up, with the Time Inc. magazines and associated properties sent to fend for themselves.
• 3D printing has come to custom fashion, of the purportedly “sexy” variety.
• Ed Wood’s “lost” last film was found this past autumn, in the inventory of a defunct Vancouver porno theater!
• The “other guy” in the Bill and Ted movies is now a documentary director. (I know, just like anybody with a smartphone-cam these days.)
• Paul Krugman says progressives shouldn’t worry so much about appearing “respectable.”

scarfolk.blogspot.co.uk

• Some clever Brits have devised “Scarfolk,” a blog of made-up historical artifacts from a fictional (and dreary as hell) English town. Along the way, they have a lot of fun with ’60s-’70s UK graphic design.
• An “alternative taxidermy” artist from Tacoma will appear on a reality-TV show on Thursday evening.
• Also on Thursday, a Belltown boudoir-photography studio’s holding a “donate a bra” night to help clothe the needy.
• The next big Seattle Schools scandal: alleged racial double standards in student discipline.
• The secret ingredient of Seattle hiphop just might be Pho.
• Local stoners might want to drag out their right-wing grandparents’ “Get US Out of the UN” signs.
• Another year, another threat of no Fourth of July fireworks unless big donations pour in.
• Perhaps 60 Everett Herald print/distro workers will lose their jobs as Sound Publishing (which already has its own Everett printing plant) takes over the paper.
• The Atlantic, supposedly one of the “success stories” of legacy print media in the Internet age, is not above asking writers to work for free.
• Staged readings from Lolita are in hot water in Russia, thanks to the Putin regime’s calculated drive to demonize liberals and Westerners “for the benefit of a poorer, older, more rural voter base.” Hmm, that sounds familiar….
• It’s a “golden age for corporate profits.” Just not for the rest of us.
• Get ready for North Pole ship crossings, thanks to that climate change that billionaires pay Republicans to claim doesn’t exist.
• Australia’s “multiethnic” TV channel goes to the lands surrounding the Fukushima nuclear disaster, and finds tales of horror and survival.
• Peggy Orenstein notes that the “Disney Princess” characters, and their counterparts in other fictional universes, aren’t really about waiting for a prince as they are about vanity and shopping:

No, today’s princess is not about romance: it’s more about entitlement. I call it “girlz power” because when you see that “z” (as in Bratz, Moxie Girlz, Ty Girlz, Disney Girlz) you know you’ve got trouble. Girlz power sells self-absorption as the equivalent of self confidence and tells girls that female empowerment, identity, independence should be expressed through narcissism and commercialism.

editorandpublisher.com

Former Seattle Times staffer Glenn Nelson has thoughts of his own about the paper’s pending online paywall (or, as he calls it, its “digital tin cup”).

Nelson mentions how, following his Times years, he served in several “subscription-model Internet startups.”

At those places, Nelson kept fretting that the Times would suddenly wake up and smell the digital coffee, then trot out online products based on the vast manpower the paper had (at the time) in sports, entertainment, food, and business coverage, and in photojournalism. (Nelson doesn’t think a better Times local-news site would have mattered, because “general news already was being rendered a commodity on the Internet.”)

These sites, had they been created, would have blown away any indie-startup competition.

But they never showed up.

•

Meanwhile, news-biz pundit Alan D. Mutter dissects why many people under the age of 45 don’t like print newspapers. It’s because they’re just too inconvenient to have around.

Mutter quotes venture-capital exec Mary Meeker as claiming…

…that young people don’t want to own CDs, haul around books, buy cars, carry cash, do their own chores, or be committed to a full-time job. Instead, they use their smartphones to buy, borrow, or steal media; rent shared cars at home and book shared rooms when they travel; hire people to buy groceries or cut the grass; and use apps from Starbucks and Target to pay for lattes and redeem coupons. Many of the digital natives even prefer short-term gigs that allow them to arrange their work around their life, rather than arrange their life around their work.

Actually, many younger (and older) adults would like full time jobs if there were any around to be gotten. But that’s beside the point here.

More important is Mutter’s observation that…

…The warmed-over digital fare offered by the typical newspaper falls well short of the expectations of two whole generations of consumers who are not only empowered by technology but also damn well sure of how to get what they want.

boingboing.net

• Seattle artist Shawn (“Beatkit”) Wolfe’s simple absurdist gag about tech product hype, the “RemoverInstaller,” is 20 years old and still going strong in a new “anniversary edition.”
• Alden Mason, 1919-2013: The master Northwest landscape painter deftly switched to beautiful yet playful abstractions, then again to cartoony acrylic works that fit right in with the “pop surrealist” movement (yes, that term again). The point is, he kept looking for something new to do, and always did it well.
• Even before it’s digested Seattle Weekly, the Canadian-owned Sound Publishing has bitten off its biggest local media morsel yet, acquiring the Everett Herald from the Washington Post Co. Not included in the sale are the Herald’s building or its printing plant. (Sound already has a plant in Everett that prints its assorted suburban and small-town weeklies.) The Seattle Times now runs the Herald’s home-delivery operation.
• Surprising nobody, Chris Hansen’s group has officially applied to the NBA to move the Sacramento Kings (which Hansen’s group has already applied to buy) to Seattle.
• REI boss Sally Jewell is, barring Republican obstruction tactics, the next Secretary of the Interior.
• City Councilmember Sally Clark participated in the “One Night Count” of Seattle’s homeless. Her team found a dead woman.
• Does everybody on a gluten free diet really need to be?
• Budapest’s current nightlife fad, that of “ruin pubs,” is threatened both by upscale development and by commercialized fake ruins.
• The Society of Illustrators thought it got a good deal when it contracted the printing of its latest Annual of American Illustration to a Chinese printer. That was until the plant refused to print a page containing an unflattering caricature of Mao. The society got its book copies with a blank page where that piece was supposed to be. It was later printed separately and hand-inserted into each copy.

alex nabaum’s 'the evolution of china'

chris lynch, seattlest (2010)

Seattle Weekly now has new owners and a new office in Pioneer Square, not far from where the paper had begun way back in ’75.

And it’s going to have a new publisher and a new editor. Those guys announced their respective departures just after Sound Publishing took over the title.

I’ve sent in my application to be the Weekly‘s next editor.

I told them they shouldn’t consider me if they just wanted someone to supervise more shrinkage, with the occasional formal nod to “social media” and online platforms.

But if they wanted someone who would fight to make the Weekly matter to this city again, I’d be their person.

David Brewster’s original Weekly team vowed to bring us, as one of their ad slogans put it, “the news that actually matters.”

That goal can be revived.

The Weekly can be a lot more than just another freebie collection of entertainment listings and medical-pot ads.

It can be the “grownup” alternative to the Stranger; the seriously progressive alternative to the Seattle Times; the street-wise alternative to KUOW.

Think of the pre-cutback versions of Willamette Week and the NY Observer. Papers that treated their entire cities, and everything that occurred within them, as their “beat.”

Imagine a news/opinion organization that makes the right kind of noise, that afflicts the comfortable and comfort the afflicted, that answers the questions and questions the answers.

Not just another formulaic “alt weekly” but a full service forum where anything can be discussed and there’s always something new.

That’s what I want to help create.

It would be far easier to create that entity from the Weekly‘s existing staff, circulation, and ad accounts.

But if not, then a startup.

People ask what I want to really do with my life. That’s it.

igor keller at hideousbelltown.blogspot.com

• The Sixth Avenue Motor Inn and the King Cat (née King) Theater are coming down, in preparation for the three Amazon high rises (each of which will be as tall as the ex-Seafirst tower).
• I’d rather be on a non smoking flight, thank you. (But in all seriousness, would the pre-McDonnell-Douglas Boeing have let planes go into service with untested battery technologies?)
• The Queen Anne branch of Easy Street Records is still closing on Friday. But in happier news, Queen Anne Books is reopening under new management.
• Seattle Weekly editor Mike Seely quits just as new, perhaps more competent, owners take over.
• An Everett woman “is accused of smothering her boyfriend by lying on his face.” With her chest.
• One reason to get an iPhone instead of something else: Facebook’s free-voice-calls app.
• Nagisa Oshima, R.I.P.: Japan’s government should honor the filmmaker’s memory by finally allowing his masterwork, In the Realm of the Senses, to be screened uncut in his country.
• Abigail Van Buren, R.I.P.: Pauline Phillips, one of the advice-column twins (Eppie Lederer, a.ka. “Ann Landers,” was her sister), carved out a niche in daily newspapers back when such institutions still had many such niches to be filled. Her common-sense, yet witty, responses to readers’ personal issues kept readers enthralled, and subscribed, for more than three decades. Speaking of deceased twins…
• Conrad Bain, R.I.P.: My favorite of his performances was when Maude ran a “twins” episode, a common sitcom shtick. In the big closing reveal, both characters walked out, in front of the studio audience in an obviously unfaked shot. Turned out Bain really had a twin, Bonar Bain, who still lives. (Bonar later appeared as himself, albeit renamed “Fred Bain,” on SCTV.)
• No, Washington Post: People’s Twitter pictures are not free for the (unpaid) republishing.
• Markos Moulitsas claims today’s Democrats, popularity-wise, “may now be on the right side of every single relevant issue.”
• Punch, the late beloved UK humor mag, knew the addictive power of mobile electronic-media devices before they even existed:

via kip w on flickr

comics buyer's guide in 1983; via bleedingcool.com

When I worked at The Comics Journal (foundation of the entire Fantagraphics graphic-novel empire), publisher Gary Groth’s official line was that we were the smart, progressive alternative to the comic-book industry’s”mainstream” trade mag, Comics Buyer’s Guide.

Now, CBG is being shut down after 42 years, without even an ongoing website to remain.

CBG‘s parent company is transferring all CBG subscriptions to an antiques-collecting mag (really). Fantagraphics, however, is offering book discounts to ex-CBG subscribers.

(CBG’s publishers are also firing the editorial staff of another of their mags, Print; that title will continue with HOW magazine’s editors pulling double duty.)

Elsewhere in randomosity:

• In other collectibles news, there won’t be a trillion-dollar coin after all.
• Patrick Dempsey can buy the remaining Tully’s Coffee locations after all.
• Real “bus rapid transit” services have their own lanes. Seattle’s proposing giving such a lane to Metro’s “RapidRide.” The lane would run for two blocks on Broad Street.
• “Reality” TV may be less than completely unscripted, but the dangers crew members face are all too real.
• Andy Warhol, as you might imagine, was a wrestling fan.
• Yes, I’m still looking for actual paid employment. (No, not “writing work;” just PAYING work. I’ve learned I have to say that.) Joining me in scrounging for dishwashing and warehouse gigs: all the PhDs on Food Stamps.