Downtown protesters target Chase’s Trans-Mountain Pipeline role; Bumbershoot was lonely this year; will Bremerton get a Quincy Jones town square?; how to properly describe Amazon.

UW dental faculty denounce budget cuts; we’ll know today about NHL in Seattle; judge’s police-reform questions; state tenant-rights bill coming.

A big, privately-financed outdoor art installation; more earthquake fears; what the dead ICE jail inmate wrote to his lawyer; George Bush the First without tears.

Seattle’s art and performance scenes are fighting back; protests over KEXP’s axing of protesters’ favorite show; a local angle on the Kavanaugh scandal; Amazon’s anti-union video surfaces.

As the first “official” female Doctor Who lead is announced, MISCmedia MAIL remembers the local woman who starred in several DW fan films. Also: Past allegations against Ed Murray revealed; a war hero facing deportation; the miracle of cross-laminated timber; and a neighbor’s dispute gets taken to Google Earth.

In Monday’s MISCmedia MAIL: Today will likely see the start of the legal skirmishes to either confirm or reject Seattle’s proposed municipal income tax. Also: Jay Inslee as a “demo singer” for the Dems’ campaign points; more doubts about the state budget deal; another anti-trans “bathroom bill” fails; and the Rep planning a grunge musical.

Thursday’s MISCmedia MAIL ponders the viability of events like the Upstream Music Fest; examines what Ed Murray might be able to do in his remaining eight months; notes outrage over racist/sexist characterizations in a play’s audition notice (and perhaps also in the play itself); and finds sex-worker prosecutions on the rise despite an official change in city policy.

We finally have something to look forward to this year! (Two things, if you count the possibility of a little snow on Tuesday.) Additional topics include a local eco-activist’s part of a global effort to keep once-futuristic electronic gadgets out of dumps and landfills; the just-started and already deadlocked Legislature; how urban growth affects plant/animal evolution; and Teatro ZinZanni’s site getting sold off.

The potential last day of the current hot spell includes stuff about an all-gender, anti-“rape culture” march; another govt. whistleblower harassed; a local visit by “the inventor of the World Wide Web;” charter schools that are more “diverse” than nearby public schools; and a remembrance of the father of whale-capturing (and, indirectly, of whale awareness/protection).

When you’re the only supermarket operator in a lot of area towns, what famous board game do you use for a seasonal promotion? Also in the news: Seattle’s denser than ever (and some consider that a good thing); the big Costco/American Express divorce; Marshawn Lynch farewells; local Mardi Gras-esque activities.

We head into a Seahawk-less Super Bowl weekend with footage of the TP’ing of Pam Roach’s office; a known creator of toxic chemical debris wanting to build a big biofuel refinery; a plea for understanding by the mom of a heroin victim; an attempt at increased state aid to the homeless; and the usual gazillion weekend activities.

kiro-tv

Known for decades as a cranky reactionary political commentator, you might find it hard to believe he’d started as a Seattle Times art and theater reviewer.

There, and later as managing editor at the P-I, he regularly advocated for the “fine arts” as a civilizing force, a means toward furthering the region’s progress from frontier outpost to respectable conservative community.

When the Seattle World’s Fair ended, Guzzo famously editorialized that the fair grounds (to become Seattle Center) should be devoted entirely toward arts/cultural pursuits. He specifically did not want any amusement-park rides there. He lived to see them finally removed.

One of Guzzo’s closest allies in this education-and-uplifting ideology was Dixy Lee Ray, who ran the Pacific Science Center. He later worked for Ray at the Atomic Energy Commission and during her one term as Washington Governor.

After Ray was primaried out of a re-election bid in 1980, Guzzo became a regular commentator on KIRO-TV. That’s where, in 1986, he delivered a blistering attack against greasy-haired, anti-social punk rockers. (The motivation was the infamous Teen Dance Ordinance, which Guzzo supported.)

In response, a local hardcore combo called the Dehumanizers released a blistering attack on him, in the form of a 45 entitled “Kill Lou Guzzo” (which began with a sample of Guzzo’s original commentary). Guzzo sued the band and its record-label owner David Portnow. Portnow responded by pressing more copies.

After retiring from KIRO at the end of the 1980s, Guzzo started a “voice of reason” website and self-published several books.

wallyhood.org

I’ll have stuff to say about the big gay parade and the potential for NHL hockey in Seattle a little later this week. For now, some randomosis:

• Seattle’s next potentially doomed institution: Wallingford’s infamous Chinese restaurant and un-“restored” dive bar, the Moon Temple.
• By killing King County Metro’s chance to save itself, State Sen. Rodney Tom is not only a traitor to the Democratic Party but to the people of his own county.
• Here’s Dan Ireland, co-founder of SIFF and the Egyptian Theater, commenting on that storied film venue’s recent demise.
• Blistering Eastern Washington heat + booze + “rave drugs” mixed by who-knows-whom from who-knows-what = danger.
• Seattle’s first civil-rights sit-in occurred 50 years ago this week at the old Municipal Building, protesting racial discrimination in housing and the City’s sluggish pace at doing anything about it. An anti-discrimination law still took five years after that to get enacted.
• The NY Times (heart)s Macklemore.
• Some guy’s list of the “100 Greatest Female Film Characters” is long on “costume” roles (such as Catwoman) from action blockbusters, crowding out more ambitious drama/comedy parts.
• Kansas City’s all-underground office complex is only one of the “weirdest urban ecosystems on earth.”

kenny johnson, the atlantic via io9.com

A lot of Seattleites, especially on Capitol Hill, have things to be happy about this week.

The gay marriage cause, for which a lot of people here worked very hard this past year, received a big boost from the U.S. Supreme Court—just in time for Pride Weekend.

But folks on the Hill, and all over town, still have a sad occasion today.

The Egyptian Theater closes after 33 years of screenings, including most of SIFF’s main shows.

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A little history:

The Seattle Masonic Temple opened in 1915. By the 1970s, its big auditorium was regularly used for pro wrestling events.

In late 1975, Daryl McDonald and Dan Ireland leased the Moore Theatre downtown, and renamed it the “Moore Egyptian.” (There had been a previous Egyptian Theater in the U District, which has nothing to do with our story.)

That’s where McDonald and Ireland started SIFF in May 1976, with a short program of 18 screenings.

Four years later, McDonald and Ireland leased the Masonic auditorium and re-christened it the new Egyptian. New management returned the Moore to hosting live concerts and stage shows. SIFF used both rooms for a couple of years, then made the Egyptian its permanent annual home base.

The Masons sold the building to Seattle Central Community College in the mid-1980s. SCCC used the building’s non-auditorium areas for its (also now-ended) film and video program and for assorted offices.

After a few years, the Egyptian came into the Seven Gables chain, founded by local art-house tycoon Randy Finley. He sold his theaters in the mid-’80s. They later went into the national Landmark chain, which in turn was eventually bought by Dallas entrepreneur Mark Cuban. SIFF continued to rent out the Egyptian as its main venue for three and a half weeks each year.

(Cuban also owns the Dallas Mavericks basketball team. In 2008, he was the only NBA owner besides Seattle’s own Paul Allen (representing the Portland TrailBlazers) to vote against moving the Supersonics to Oklahoma.)

Meanwhile, the economics of motion-picture exhibition got steadily sourer.

The Internet, that great Disruptor of All Media, played a part.

So did the consolidation of the big studios and the big theater chains, making things tougher for relatively little guys like Landmark. (Cuban reportedly tried to sell Landmark a couple years ago, but got no takers.)

While the Egyptian was usually full or near-full during SIFF screenings, its 600 seats steadily became harder to fill during the other 48 weeks.

Once this year’s SIFF ended, Landmark quietly told SCCC it wouldn’t keep leasing the space.

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The building’s not going away, unlike so many other Pike/Pine landmarks in recent years.

SCCC has fielded applicants to take over the auditorium, but hasn’t announced any new tenant.

SIFF has recently returned to running its own year-round theaters. Would, or could, SIFF add the Egyptian back into its full-time fold?

If SIFF or anyone else wanted to use it for movies, they’d have to get one of those costly digital-cinema projection setups the Hollywood distributors now require, and which have been the focus of “save our theater” fund drives here (Central Cinema, Northwest Film Forum) and elsewhere. Landmark already said it would remove the Egyptian’s digital setup, for re-installation at one of its other properties.

Alternately, the space could become (at least in non-SIFF months) a concert venue or lecture hall. (The stage is too shallow for much live-theater work.)

But, pending any revival as a single-screen cinema, it’s safe to say the Egyptian tradition ends today.

It’s not the last link to Seattle’s 1970s funky art-house aesthetic (the Harvard Exit, Grand Illusion, Guild 45th, and Seven Gables are still with us). But it’s still a loss.

wu ming, via daily kos

• Let’s put credit where credit is due, to the right-wing initiative maestro who hates all non-private-car transportation, but whose schemes leave even that mode vastly underfunded in this nation’s-most-regressive-tax-system state.
• Today in clothing named after people famous for not wearing any, a fashion chain called “Bettie Page” is opening its first local branch on Capitol Hill.
• A Walla Walla high-school principal is convinced that severe discipline against problem students only makes things worse. By taking more pro-active approaches, suspensions at his school have plummeted.
• One of the lesser publicized YouTube memes involves video gamers posting clips of their gameplay prowess. Now, Nintendo is claiming copyright on all these clips.
• A guy in Ballard’s got a Kickstarter to fund a small but free performance space for theatrical and musical performers.
• There are supposedly more high tech jobs available in the Puget Sound country than there are people to fill them. Now if we could only get jobs for a couple of non-coders….
• Have Catholic bishops quietly taken control of all health care decision making in Wash. state?
• David J. Ley at Psychology Today claims that sexual violence has gone down wherever “societies have increased their access to porn.”
• The just-ended TV season has been, viewership-wise, “one of the worst years ever in the history of network TV.”
• Meanwhile, brick-n’-mortar bookstores saw a huge jump in foot traffic this past quarter.
• Some 56 more-or-less “adult” comix titles have been excised from Apple’s App Store. Again.
• Will someone just kill the thin sheet calling itself the Village Voice already (or at least turn it into a bohemian-radical nostalgia rag)?
• A Simpsons street opens later this year at the Universal Orlando theme park. It’ll be the Violentest Place on Earth! (Sorry, no Itchy and Scratchy Money accepted.)

via cartoonbrew.com