It's here! It's here! All the local news headlines you need to know about, delivered straight to your e-mail box and from there to your little grey brain.
Learn more about it here.
Sign up at the handy link below.
CLICK HERE to get on board with your very own MISCmedia MAIL subscription!
via dailymail.co.uk
chris lehman, npr via kplu
watch el chacal de la trompeta, via youtube
In a publication entitled City Living, you might expect words by and for people who love this city.
But there are also Seattle haters out there.
I know. I’ve seen them.
All the time I’ve been in Seattle (don’t ask), I’ve known two predominant kinds of Seattle haters:
1) White baby-boomers who rant that the city is too big, too loud, too tense, and too full of suspected “gang bangers” (i.e., nonwhite males younger than 40). These folk dream of having a McMansion-sized “cabin” on the Bainbridge shoreline, but would settle for a Skagit County farmhouse.
2) Men and women of prominent ego (of many races, though still usually white) who decree that this hick town doesn’t deserve their obvious greatness.
These denouncers almost always also rant that Seattle fails to sufficiently imitate New York, Los Angeles, and (especially) San Francisco, in criteria ranging from architecture to food.
These folk generally refuse the idea that people in cities other than NY/LA/SF can choose to run a city any differently. All which is not NY/LA/SF, by these folks’ definition, is automatically inferior.
Sometimes, these folk will expect me to casually agree with their putdowns. They’ll ask me what part of the East Coast I’m from. Then, before I can answer, they’ll tell me I obviously agree that this is just a cowtown full of hicks and don’t I want to get my butt back to the civilized world?
I tend to respond that the only thing “eastern” I’m from is the eastern shore of Puget Sound; that Seattle is a fascinating place brimming with ideas and personalities; and that we can do things our own way.
If these folk are still listening, they usually tell me that I’m obviously just kidding. (Which I’m not.)
This is the combination of hubris and willful ignorance depicted in Where’d You Go, Bernadette?, the highly publicized new novel by local transplant (and former Hollywood sitcom writer) Maria Semple.
The title character is a tried and true Seattle hater. She’s also a former elite Los Angeles architect, with a Microsoftie hubby and an above-average teenage daughter (and an outsourced “virtual assistant” in India). She lives a life of wealth and privilege; the daughter goes to an elite private school. The family’s even planning a vacation getaway to Antarctica.
But even with everything money can by, Bernadette’s not happy. And, like many unhappy people, she blames her unhappiness on the world around her.
When Bernadette disappears, as the novel’s title implies, the daughter tries to figure out what happened by reading the mom’s old diaries, letters, and emails.
It’s in these documents that Bernadette says what she might have been too polite to say in public. Particularly among Seattle’s well documented cult of niceness.
Among her complaints: Too many Craftsman bulgalows. Too many Canadians. Too many slow drivers. Too many wild blackberry bushes. Too many neurotic moms. Too many self-congratulatory “progressives.” And way too much politeness.
Or for the short version, this is a city unfit for the presence of someone as obviously superior as Bernadette.
But, to Semple, this attitude is merely a symptom of a larger disorder. It’s a stage in the character becoming estranged from the world in general, then dropping out of sight from even her family.
But in a missive revealed at the novel’s end, she announces a change of heart. Bernadette really loves Seattle after all. She loves the gray-wash winter skies, which “felt like God had lowered a silk parachute over us.”
Semple herself, according to interviews, had also been a Seattle hater. But, like Bernadette, she’s since changed her mind.
Semple says she wouldn’t write Bernadette’s vitriolic Seattle putdowns these days. Semple now loves the place.
Or at least that’s what she says in public.
You know, to be polite.
(Cross-posted with City Living.)
The rubric atop this entry is not merely the title of the Ventures’ breakout hit, over 50 years old and still an instro-rock classic.
It’s also a potential slogan of the second annual NEPO House 5K Don’t Run, held last Saturday from Beacon Hill to the International District.
This year, the event began at NEPO House, the sometime installation/performance space on Beacon Hill. Last year, that’s where it ended. That meant this year’s event was (mostly) downhill (except at the end).
That still wasn’t easy for the woman pushing the wheelchair seen above (whose occupant also carried a load of bricks in her arms).
Also giving themselves an added degree of difficulty were Graham Downing and Max Kraushaar, wearing helmets that only gave them tiny tiny peephole views. They had to rely on one another’s limited perspectives all along the way.
Along the way, Nathaniel Russell’s ad posters promoted fictional events, services, and events.
Earthman! (Seanjohn Walsh) read selections from famous poets, selected by a random process that involved a spin toy and a game board.
A little further down 18th Ave. S., poet Sarah Galvin arises from a hidden hole in the ground, from which a wildman (played by Willie Fitzgerald) had arisen, grabbed her, and thrown her down.
With the path having moved onto I-90 Trail, Julia Haack’s arches here aren’t just striped, they’re quilted.
The Ye-Ye Collective’s “Telethon” looked back to the old days of printed phone books, landline phones, and all-knowing “directory assistance.”
Paul Komada shows “How to Fold an American Flag.”
Keeara Rhoades’ dance troupe, stationed under the Jose Rizal Bridge, performs “When They Move They Take Their Fence With Them.” They’re a white picket fence, you see.
“Meadow Starts With P” and her Covert Lemonade Stand were quite popular with the by-now tiring non-runners.
A K Mimi Alin, the “Not So Easy Chair,” is no relation to Chairy from Pee-wee’s Playhouse (I asked).
Eric Eugene Aguilar and friends danced under a freeway overpass. Just out of camera range, official city notices pasted onto the piers ordered people to not sleep here.
The Don’t Run ended at its own version of the Boston Marathon’s “Heartbreak Hill,” the steep climb along S. Maynard St. toward Sixth Ave. S. Those non-runners who survived this last obstacle were treated to a beer garden, food trucks, and the Bavarian Village Band (who’d also performed at the end of last year’s Don’t Run).
The Diapan Butoh took at least half an hour to dance up the one block to Sixth. Even when they got there, things did not go swiftly or smoothly.
What you saw here was fewer than half the Don’t Run’s attractions. When next year’s event arrives, you’d better walk, stride, strut, or shimmy to it.
Just don’t, you know….
via upworthy.com
via theatlanticwire.com
maisonceleste.wordpress.com
A wealthy young white man who refuses to, for one second, consider what it must be like to be a woman, or a minority, or a member of the lower class, or old. A man whose words mean less than nothing.
For reasons known only to the Gods, I not only didn’t read David Guterson’s novel Ed King (Oedipus as a Seattle software mogul!) when it came out, I also didn’t notice last November, when it won a British lit magazine’s annual Bad Sex In Fiction award. Don’t be as ignorant as I was—check out an excerpt from the “winning” scene.
Elsewhere in randomosity:
geneticist.tumblr.com
theatlantic.com
Brown was already 40, and settled down in marriage with the future co-producer of Jaws, when her breakthrough book Sex and the Single Girl came out. It took the Age of the Pill for Brown’s simple message (sex is fun, for both genders, with or without a wedding ring!) to be considered major-publishing-house material.
(Imagine: Women sleeping around, and not only not heading toward certain doom but having good, clean, healthy fun!)
That led to a stint of over 32 years helming Cosmopolitan magazine.
In those pages, behind the cleavaged “Cosmo Girl” cover models, Brown forged a solid formula of libido and materialism mixed in with traditional women’s-mag fashion and self-help fare.
Whole books have been written about the world of Brown’s Cosmo, its influence, and its contradictions (independence/man-pleasing, confidence/size-ism).
I’ll just say it’s hard to imagine the First Avenue bar scene, with its gaggles of high heeled, well heeled young ladies out for FUN, without Brown’s aesthetic and social vision showing the way.
pitchfork media via cartoonbrew.com
The third most famous band from Aberdeen, the Melvins, talk about their “disastrous” first tour, accompanied by appropriately simple Flash animation. (The second most famous band from Aberdeen, of course, is Metal Church.)
nytimes.com via nytsyn.com
perfect sound forever, via furious.com
An earlier version misstated the term Mr. Vidal called William F. Buckley Jr. in a debate. It was crypto-Nazi, not crypto-fascist.
If you’re going art-crawling this next First Thursday, be sure to see a mini version of the digging machine that will create the Viaduct-replacement tunnel. Go see it even if you normally find such things to be, er, boring.