The latest Audit Bureau of Circulation figures are in for the six months ending in March.

They show the Seattle Times‘ circulation continuing a steady decline, to 237,000 daily and 300,000 on Sunday. That’s 6.6 percent lower than one year ago.

What’s more, each figure includes about 30,000 paid subscribers to the Times‘ print-replica .pdf edition (the only paid online product the Times offers so far).

So the daily print Times is now beneath 206,000 buyers. That’s just a few thousand more than it had in 2009, when it added the P-I‘s former subscribers. (Back in 2000, the Times and P-I had a combined circulation of 400,000.)

Elsewhere in the report, the NY Times now has more paid online readers than print readers.

• “Black Sun,” Isamu Noguchi’s donut shaped sculpture at Volunteer Park, hasn’t just inspired a Soundgarden song. Now it’s also getting its own postage stamp! (UPDATE: Turns out the stamp was issued way back in ’05. I’m even less astute about philately than I am about other topics.)
• Funhouse update: Yes, the defiantly un-cleaned-up punk club in Lower Queen Anne will be evicted, and the building razed for redevelopment, effective this Halloween. Th Funhouse owners are looking for a new location.
• When last we looked, Microsoft was suing Barnes & Noble, claiming its Nook e-book machine violated MS-owned patents. Now, MS is buying a piece of the Nook operation.
• What’s harder to find around these parts than a Thunders fan? A non-geezer-age Republican who liked Romney more than Ron Paul during this primary/caucus season.
• The rainy winter = plenty of hydro power in the coming months.
• As we remember the Seattle World’s Fair and its vision for a World of Tomorrow, a real-life “City of the Future” is being built from scratch in Portugal. Intended to house 150,000 residents, it’s planned to be a “techno-paradise of energy conservation.” Thousands of sensors will monitor and regulate everything from traffic on the streets to faults in the water supply.
• Courtney Love can’t get “completion insurance” for film roles, and the music business is in freefall. With only fashion modeling left to actively maintain her celebrity presence, she’s added a new line, that of visual artist. Samples of her debut exhibition could invite comparisons to the crayon drawings of a child-psychiatry patient.
• Delta Airlines hopes to cushion itself against high fuel prices by buying its own oil refinery.
• Last month was the 60th anniversary of the first toy ad on U.S. television. It was for the original version of Mr. Potato Head (kids had to supply their own potatoes).
• The latest print mag in fiscal rough seas: The American Prospect, for two decades one of progressive America’s top sources of news n’ analysis.
• Anti-dumping tariffs work. They’re causing Chinese companies to open factories in the U.S.
• A London department store’s offering a “luxury champagne lollipop” covered with real gold flakes. Of all the one-percenty things in the world, could this be the one-percentiest?
• Amazingly, I still have to explain to people that I hate existing in freelance-writing hell and I want to get out of it by any means necessary. Perhaps this item, by a guy who got out of the racket, will help these folks get it.

last.fm

Pere Ubu founder, noise-rock legend, and great Clevelander David Thomas is, by his own admission, a middle class boy.

And in a recent interview he claims that…

…all adventurous art is done by middle-class people. Because middle-class people don’t care. Because middle-class people don’t care. “I’m going to do what I want, because I can do something else better and make more money than this.”

At the Collapse Board site (started by ex-Seattleite Everett True), blogger Wallace Wylie begs to disagree:

It surely does not need pointing out that almost every adventurous musical innovation of the 20th Century came from working-class origins. The blues, jazz, country, rock’n’roll, soul, reggae, disco, r&b, hip-hop, techno, house; the list goes on. It would take a mixture of ignorance and arrogance on a monumental scale to appropriate all of these innovations for the middle-classes.

You can probably think of your own exceptions, in music and other artistic fields as well.

Then the Scottish-born Wylie goes on to repeat the longtime meme that most American middle-class teens didn’t know about large swaths of American blues and R&B, until they heard them from British rockers:

…While British bands were playing Chuck Berry, embryonic American garage bands were cutting their chops on ‘Gloria’ by Them. In other words, rock music is a British creation that Americans subsequently copied. Bob Dylan named his fifth album Bringing It All Back Home in reference to the fact that British bands had shown Americans music from their own country that they didn’t know existed and now it was time for an American to take these influences back.

That familiar tale neglects the role American “hip” whites (including Cleveland’s own DJ legend Alan Freed) played in bringing R&B across the color line, leading to the commercial teenybopper variant Freed billed as “rock n’ roll.”

It neglects the white garage bands (such as Tacoma’s own Fabulous Wailers) who studiously covered and imitated their favorite R&B sides, especially during the pre-Beatles years.

Methinks Wylie has his own cultural blinders with which to deal.

may1stseattle.org

The whole Occupy movement is staging a nationwide spring “season premiere” Tuesday.

Mayor McGinn has personally warned the local protests just might turn violent, deliberately invoking memories of the WTO riots. (Yes, those really were 12 and a half years ago!) That’s an odd thing for a self styled progressive to do.

Local organizers, in contrast, are billing their events as a “Day of Solidarity, Wonderment, and Merrymaking.”

They’ve got a whole day of speakers, rappers, and musicians at Westlake Park, and a march to the Wells Fargo tower.

And they’re calling for folks to leave work and school, refrain from shopping and banking, to think of Tuesday as a one-day general strike.

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May Day has been principally a Euro-radical thing for so long, it’s hard to remember it started with the American labor movement, in its first courageous drives for basic workers’ rights (and the corporate/governmental violent reactions to same).

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Meanwhile, BBC economics commentator Paul Mason takes a gander at the new wave of protest-related visual art (a movement accelerated, but not started, by the Occupy protests). Mason believes this populist underground work could be the start of a new art movement, one that could render obsolete “contemporary art” as we know it (i.e., something made within a rarified bohemian elite for sale to “the multimillionaire-oriented art market”).

irwin allen's 'the time tunnel' (1966), via scaryfilm.blogspot.com

• If a Seattle attorney was really involved in government time travel experiments when he was a boy, like he claims, why couldn’t he have brought back the lost episodes of the original Doctor Who?
• Zillow.com predicts local housing prices will continue to fall for another year before they “hit bottom.”
• The Seattle Times has a where-are-they-now piece about the former 619 Western studio artists.
• Spokane would really like to keep its biggest employer, Fairchild AFB.
• Marketing-trends analyst Faith Popcorn insists the economy would be a lot better off today if the big Wall Street firms had more women in power roles.
• Koo Stark update: Prince Andrew’s actress ex-girlfriend is using the Rupert Murdoch organization in a U.S. court over phone tapping. (Her complaint is still about Murdoch’s U.K. papers, not his stateside operations.)
• Kashi cereal eaters were shocked to learn (1) the soy in Kashi’s products uses Monsanto seeds, and (2) Kashi’s really owned by Kellogg’s.
• The Great Vinyl Comeback isn’t just for indie pop anymore. Classical artists are now getting in on it.
• Nick Harkaway at the Guardian sees Amazon and the other big e-book sellers as “the new gatekeepers,” steering consumers toward select choices rising from the “rabble.”
• In terms of paying as little in taxes as legally possible, Apple turns out to be just like any other big company.
• Longtime online analyst Dave Winer suggests there’s another Internet bubble going on, involving social-media and content-based sites. Winer says those sites’ funders are…

…building businesses whose only way of making money will be through advertising. Are there as many different ways to slice things as all the startups, collectively, would have you believe? And when they’re done, what will happen to them?

• Lindy West’s recent putdown of “hipster racism” reminded Channing Kennedy at the Colorlines site of a similar rant, given in 1979 by the late great rock critic Lester Bangs.
• Alas, we’re not really going to be rid of Newt Gingrich; only of his Presidential campaign.
• Noted author E.L. Doctorow traces how 12 years of right-wing power grabbing has left America an “unexceptional” nation.

Our ol’ acquaintance Timothy Egan has a nice piece about the book and reading scenes here in Seattle.

One statement is particularly important.

Egan notes that even while e-books have boomed, print book sales in the U.S. have remained steady or declined just a little.

This means the book biz has weathered the simultaneous trends of the Great Recession and the Internet convergence a helluva lot better than other media genres—theatrical movies, DVDs, radio, broadcast and cable TV, magazines, and especially newspapers and recorded music.

This totally contradicts the incessant whines of those “book people” who insist that they are a disappearing elite.

joybra.com, via seattlepi.com

• Dept. of Things You Never Knew You Needed: UW business students have designed a bra with a pocket for an iPhone.
• Seattle’s (the nation’s? the world’s?) longest running serialized stage play, the Asian American-centric Sex in Seattle series, ends after 12 years with episode 20, opening this weekend.
• Amazon’s quarterly profits are 35 percent lower than a year ago. To Wall Street, that’s seen as good news somehow.
• The Sacramento Kings’ arena deal is apparently dead. The team might or might not be put up for sale any week now. Seattle has a wannabe majority owner, a perfectly functional arena, and the land and initial plans for a new arena.
• Vancouver punk legend Joey “Shithead” Kiethley sez he’ll run next year for a seat in B.C.’s provincial legislature. He’s done this twice before, on Green Party tickets. But this time he’ll run on the ticket of the New Democrats (Canada’s official national “opposition” party). He’s putting into practice his old motto, “Talk – Action = Zero.”
• Gay Divorcee Dept.: A B.C. judge has ruled that a split-up lesbian couple has to split their jointly owned sperm-bank deposit.
• Are outspoken homophobes really gay but suppressing it? All I know is for me, other men’s bodies are like eggplant casseroles. I don’t wanna eat ‘em but I don’t mind if you do.
• Will the Arab world need a full-scale “cultural revolution” before women have rights there?
• Nutella: not as “healthy” as some consumers apparently thought.
• The story about Egypt legalizing sex between widowers and their dead wives? A complete hoax.
• In an interview promoting her new film Hysteria (about the first electric sex tools for women and the “medical” excuses advertised for them), Maggie Gyllenhaal talks about why there are so few emotionally powerful sex scenes in U.S. movies. My theory: Most sex scenes in mainstream films are escapist in nature. Many serve as breaks from the plot, like the songs in many musicals. These include scenes choreographed to emphasize the woman’s responses. To use such a scene to reveal a character’s personality, emotions, and vulnerabilities, to show a female character with her sense of public decorum stripped away, is a rare feat.
• Did Romney only tell 10 major lies last week?

j.r. simplot co./idaho dept. of environmental quality, via kplu

• Lots of good stuff at KPLU today. First, they’ve got some “mutant two-headed trout” found in an Idaho stream (the result of pollution from a nearby mine). Then there’s the list of potential “things you’ll find from the Japanese tsunami on Northwest beaches.” Finally, they report on the construction of the new 520 bridge’s pontoons. (I just love to say the word “pontoon.”)
• Nintendo lost a whoppin’ half billion bucks on all worldwide operations last fiscal year. That’s a heckuva lot of yellow coins.
• The UW is letting in a few more computer science majors next school year. They must have finally noticed that virtually every job advertised in Seattle requires programming knowledge.
• Get inspired! Next week there’s a “liberal Christian revival” convention in town.
• You know how the Costco-funded liquor privatization initiative promised convenience stores wouldn’t get to sell the hard stuff? Some of the winning bids for the state liquor stores were won by C-store operators, who might just turn those stores into C-stores that sell the hard stuff.
• KIRO-TV has uncovered further shocking evidence that men traveling on business will sometimes visit strippers and/or prostitutes.
• R.I.P. Ernest Callenbach, 83. The enviro-author was best known for Ecotopia, a 1975 utopian novel in which Washington and Oregon would be the outlying provinces of a San Francisco city-state. (I.e., more like a dystopia to me.)
• Flavorwire lists the “10 Grumpiest Living Writers.” Yes, Harlan Ellison is there. But, and this might surprise you, so is Garrison Keillor.
• Elsewhere in the book biz, Macmillan’s scifi division will issue e-books without copy protection. And author Warren Adler believes any talk about an Amazon e-book monopoly is just scare-tactic hype foisted by the conglomerate-owned big publishers.
• Ex-Seattleite Lindy West reminds you that talking like a total racist, then when you’re caught at it claiming it was all an ironic “joke,” is still talking like a total racist.

escapistmagazine.com

• The Star Wars universe is explained in handy infographic form.
• Rob McKenna is given an opportunity to prove he’s not part of the War on Women. Result: Epic Fail.
• More details about the big waterfront renovation plan have been released. They show a great improvement over the original concept (which, as you may recall, was essentially just a bunch more “world class” windswept plazas, a commodity greater downtown already has in abundance). These proposals actually include stuff people can recreate with. Like a climbing wall, and a swimming pool on a barge in the water.
• The Real Change-sponsored protest against homeless-camp removals went off without a hitch. Now let’s get our officials to do more for the homeless instead of merely against them.
• Wash. state now has over 700 wineries. Twice the number in ’07.
• The first Boeing 787s you’ll be able to get on from Sea-Tac will go from here to Tokyo starting later this year.
• How does DC Comics’ plan for a Watchmen prequel series gibe with the original graphic novel’s creator Alan Moore? If you know anything about Moore, you’ll know he doesn’t much care for the idea.
• Obama is picking his fights carefully, choosing for whom he’s going to strongly fight. Pot users: it’s still not your turn.
• Rex Huppke at the Chicago Tribune announces the “Death of Facts,” following one too many tea bagger fabrication.
• The newest thing to be paranoid about: what employers think about your Klout score. (Yes, the hereby linked article explains just what a “Klout score” is. It has something to do with how active you are on Twitter, or something like that.)

sonics first-year pennant, available at gasoline alley antiques

• As various machinations occur here and elsewhere that just might bring a new men’s pro basketball team to Seattle, national audiences can see the authoritative document of how the team we had got stolen. The Sonicsgate documentary airs this Friday at 7 p.m. PT on CNBC. There’s a viewing party at the Sport bar.
• All sorts of companies are trying to get away with hiring undocumented workers. Even an organic herb farm.
• Seattle’s next P-Patch community garden site: the roof of the Mercer Street parking garage.
• Item: “Seattle company unveils plan to mine asteroids for riches.” Comment: If this works out, the whole scarcity premise behind metals commodity prices could one day disappear. And with it would go the fortunes of certain Third World countries.
• Short sales and foreclosures still account for more than half of all home sales in Snohomish and Pierce counties, and a third of all home sales in King County.
• No, Social Security isn’t going broke any time soon. And there are simple ways to make sure it never does.
• America’s first mad cow is in California, naturally.
• Why didn’t Forbes run articles about male porn stars when ol’ Malcolm Forbes was alive?
• Ex-Harper’s editor Lewis Lapham has a long essay about the future of language in the Internet age, among other things. Lapham rightfully calls for more and better reasoned thinking online. And he echoes my own belief that the web is not primarily made of code but words. But he also casually engages in tiresome elitist stereotyping about a “postliterate sensibility” that’s supposedly “offended by anything that isn’t television.” Any guy who claims to oppose one-dimensional banalities shouldn’t repeat them himself.
• Found: Someone who misses the glory days of MySpace.

painting the needle for its big b-day party

Keith Seinfeld at KPLU recently asked, “Why does Seattle still care about the world’s fair?”

That’s an excellent question.

As international expos go, Seattle’s was relatively small.

And it took place a full half century ago.

Until Mad Men came along, that era was widely considered to have been a dullsville time, a time wtih nothing much worth remembering.

The “Space Age” predicted at the fair would seem would seem ridiculous just a few years later. It predicted domed cities and cheap nuclear power. It predicted computers in the home (in the form of fridge-sized consoles) and video conferencing (with a special “picturephone”), but it didn’t predict the Internet.

It sure didn’t predict the racial, sexual, musical, and social upheavals collectively known as “The Sixties.”

And a lot of the fair’s attractions were so utterly corny, you can wonder why they were taken seriously even then. Attractions such as the world’s largest fruitcake. Or the Bubbleator (essentially just a domed platform on a hydraulic lift). Or the adults-only risqué puppet show (by the future producers of H.R. Pufnstuf).

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Yet a lot of us do care about all that. And not just us old-timers either.

And not just for the physical structures the fair left behind (the Space Needle, the Science Center, etc.).

The fair was the single most important thing that happened in Seattle between World War II and the rise of Microsoft. (The launch of the Boeing 707 was the next most important.)

The fair revved up the whole Northwest tourism industry, just as jet aircraft and Interstate highways were getting more Americans to explore other parts of their nation. This once-remote corner of the country became a top destination.

The fair was a coming-out party for a new Seattle.

A Seattle dominated not by timber and fishing but by tech. Specifically, by aerospace.  Boeing had only a secondary role in equipping the U.S. space program, but its planes were already making Earth a seemingly smaller place.

The fair didn’t start the Seattle arts and performance scenes, but it gave them a new oomph.

Seattle Opera and the Seattle Repertory Theatre were immediately established in the fair’s wake.

ACT Theatre came soon after. Visual art here was already becoming famous, thanks to the “Northwest School” painters; the fair’s legacy led to increased local exposure to both local and national artists.

The fair established a foothold for modern architecture here.

Before the fair, there hadn’t been a major change to Seattle’s skyline since the Smith Tower in 1914. (The few new downtown buildings were relatively short, such as the 19-story Norton Building.)

The Space Needle became the city’s defining icon, instantly and forever.

The U.S. Science Pavilion (now Pacific Science Center) established the career of Seattle-born architect Minoru Uamasaki, who later designed the former World Trade Center.

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Speaking of tragedy and turmoil, some commentators have described the fair’s era as “a simpler time.”

It wasn’t.

The Cuban missile crisis, revealed just after the fair ended, threatened to turn the cold war hot.

The whole Vietnam debacle was getting underway.

The civil rights and black power movements were quickly gaining traction.

The birth control pill was just entering widespread use.

Rachel Carson’s book Silent Spring, which helped launch the U.S. environmental movement, came out while the fair was on.

So yes, there were big issues and conflicts in 1962.

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But there was also something else.

There was optimism.

In every exhibit and display at the fair, there was the notion that humans could work together to solve things.

And, at least at the fair, most everything was considered solveable.

I wrote in 1997, at the fair’s 35th anniversary, that its creators sincerely felt Americas would strive “to ensure mass prosperity (without socialism), strengthen science, popularize education, advance minority rights, and promote artistic excellence.”

It’s that forward-looking confidence that got lost along the road from the Century 21 Exposition to the 21st century.

It’s something many of us would like to see more of these days.

And that, more than Belgian waffles or an Elvis movie, is why Seattle still cares about the World’s Fair.

And why you should too.

(Cross posted with City Living.)

souvenir display at the world's fair anniversary exhibition

The Guardian parsed the NY Times‘ latest financial numbers. Some of its conclusions:

• The NYT’s online paywall seems to be working at attracting paying readers. But what works for the NYT, with its strong national brand and its loyal national audience, might not work for local papers (including the NYT Co.’s Boston Globe).
• Online ad revenue for news sites may be plateauing or even shrinking. So much for the notion, often heard among “future of news” web gurus, that all you have to do is hustle like hell for page views and social-media tie-ins, and ad revenue will automatically follow.

foodbeast.com

• Margarita flavored Bud Light: sign of the apocalypse #6 or #7?
• Winning bids for the state liquor stores (or rather, for the right to apply for licenses, negotiate leases, and take over inventory at the stores) are now in. Individual winners have apparently not yet been posted anywhere, but the store at 12th Avenue and East Pine Street went for a cool half million. The state’s total take (should all the sales go through): over $30 million, more than four times estimates reported just last Friday.
• Yesterday, we mentioned how Deluxe Junk, the lovely vintage everything store that’s one of the last remnants of “Fremont funk.” faced a sudden eviction by the Masonic lodge that owns its building. Apparently there’s a settlement; alas, Deluxe Junk will still leave the premises, at the end of June.
• The Real Change folks will get their protest camp in Westlake Park after all.
• One little-publicized event at the big Space Needle anniversary gala: a protest by Needle restaurant workers.
• The Canucks have made sure there won’t be riots in the Vancouver streets this June.
• Here’s a long, loving profile of ex-Seattleite and comix genius Lynda Barry.
• Google and Facebook: They’re hot now, but could they stumble as computing goes mobile?
• Author Michael J. Sandel places blame for the market-ization of almost all of western society. He says the economists did it.
• Paul Krugman blasts Romney, assuredly not for the last time.
• A Georgetown prof really dislikes the Facebook-spawned overuse of the verb “Like.”
• Toby Litt in Granta wonders whether long-form literature can hold an audience, or even be considered relevant, in an age of multitasking and incessant distraction. I say bah. Folks who can finish umpteen-level video games or watch entire TV-show seasons in one weekend can enjoy a story of a few hundred pages.
• Sorry, but I can’t trust any list of the “ten most harmful novels for aspiring writers” that excludes Bukowski.
• The top black women’s magazine hired a white guy as managing editor. What could possibly go wrong? Oh, that he turned out to be a not-so-secret racist wingnut.
• Steven Pearlstein reminds you that some politicians actually want you to be turned off from politics. Remember: Not voting = voting a straight right-wing ticket.
• Making stuff in China will cease being cheap sooner or later. China’s other outsourcing advantages might remain (lax environmental enforcement, autocratic government, brutal suppression of dissent).
• TV ratings, both broadcast and cable, are way down, especially among younger viewers, and especially in terms of “real time” viewing (i.e., without DVRs; i.e., with the commercials). The hardcore TV haters will naturally ignore this, and will continue to insist that Everyone Except Them is a vidiot sheeple.

The renovation (read: upscaling) of the old Food Circus in Seattle Center’s Center House had one sad, unpublicized aspect.

The project pushed out the last Pizza Haven.

It was an unsung end to a company founded in 1958 by Ron Bean (son of Pay n’ Save Drug/Lamonts Apparel mogul Lamont Bean).

It started with a single dine-in location on University Way and a home delivery operation (the first of its kind around here). Instead of baking pies to order, Pizza Haven’s trucks originally cruised around with pre-made inventory in warming ovens, ready to go wherever radio dispatch operators sent them.

At its peak the chain had 42 outlets down as far as northern California, and even franchises in Russia and the Middle East. It had a cute cartoon “Mr. Pizza” mascot, and fun TV commercials with angels welcoming you to “Haven—Pizza Haven, the place all good pizza eaters go when they’re hungry.”

Then Domino’s came to town, and Pizza Hut added delivery-only stores.

Pizza Haven repositioned itself into slice stands in mall food courts. But fiscal troubles continued.

The chain declared bankruptcy in 1997. The following year, every branch except Center House closed.

Bean tried to relaunch Pizza Haven in 2001, but it didn’t get off the ground.

The Center House slice stand continued for another decade, feeding the tourists and the local old-timers who’d grown up with the brand.

Until now.

will deluxe junk's giant plastic hot dog become homeless?

• On the heels of the development threat against the Bauhaus block on Capitol Hill, now comes another funky institution in danger. Deluxe Junk, a second hand furnishings and curios store, is the heart n’ soul of the Fremont district. It was just given an eviction notice by its landlords of 34 years, the Doric Masonic lodge upstairs from it.
• Is it the name? The phallic symbolism? Or just the taste? Whatever the reason, China (heart)s our geoducks!
• Seth Kolloen at The SunBreak analyzes local sports marketing: “The Sounders are a Mac, the Mariners are a PC.”
• C’mon guys! Somebody’s gotta want Beacon Hill’s PacMed building!
• What could be Puget Sound’s third major “economic cluster“? How about novelty gifts? Fringe theatre? Heck, let’s take over the music and film industries from their respective obsolete old guards?
• Today we might learn who won the auctions for the state liquor stores.
• One of the last remnants of Regrade Park’s pre-dog-park incarnation, the “Gyro Jack” sculpture, is under attack by some park users.
• While the media weren’t looking (or were obsessed with their own declines), arts employment in the U.S. has taken a severe nosedive.
• Update #1: The U.S. nuns whom the Vatican wants to censure or even disband because they spend their time caring about poor people instead of hating gays? They refuse to be shut up.
• Update #2: A few days ago we discussed the studio-imposed need for all movie theaters to acquire costly digital projection gear, and the trouble smaller operators might have affording it. Here’s one way they could. Fans of one mom-and-pop theater in little Harmony, Minn. organized a big $75,000 fund drive so their beloved local cinema could go digital. (The author of the above piece also has a long background article about the rise of digital cinema after almost two decades of hype.)