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from three sheets northwest
Without any further ado, the big new product announcement promised here on Tuesday.
Actually, it’s an old product.
But a new way to buy and enjoy it!
It’s The Myrtle of Venus, my short, funny novel of “Sex, Art, and Real Estate.”
It’s now out in ultra handy e-book form, for the insanely low price of merely $2.99.
Yes, that link goes to the “Kindle Store.” But you don’t need a genuine Kindle machine to read it. They’ve got free apps for Macs, PCs, iPads, and lots of mobile platforms.
Why should all of this site’s loyal friends and true download it?
Because it’s alternately sexy, hilarious, and poignant.
Because it takes you back to those heady days of the real estate bubble.
Because it’s a rollicking tale of eleven lively characters who combine, clash, and re-combine.
The action all occurs amid the dying days of an artists’ studio cooperative. The artists’ new landlady, the World’s Blandest Woman, wants them out. But the artists have a plan. They’ll seduce her into becoming one of them.
But their best laid plans don’t get her laid the way they plan.
What happens next is as wild as it is unpredictable.
To find out, you’ll just have to get the thing and read it already.
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revel body, via geekwire.com
A few days late but always a welcome sight, it’s the yummy return of the annual MISCmedia In/Out List.
As always, this listing denotes what will become hot or not-so-hot during the next year, not necessarily what’s hot or not-so-hot now. If you believe everything big now will just keep getting bigger, I can score you a cheap subscription to News of the World.
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…had an otherworldly timbral and expressive range with both guitar and voice, ranging from beautifully sweet to guttural monster-from-Hell.
There’s more turnover at SeattlePI.com. The site’s “executive producer” Michelle Nicolosi is leaving to start her own outfit, an e-book publishing imprint called Working Press.
Nicolosi had been one of only 16 names left (out of an initial 20, plus interns) on PI.com’s content staff list; and one of those, cartoonist David Horsey, has already decamped for the LA Times. Another mainstay, ace reporter Chris Grygiel, split for the Associated Press last autumn.
Website-metrics ranking company Teqpad estimated last May that PI.com was earning about $1,000 a day from online ads. If that’s true (and it could be an undercount), it would be, at most, a quarter of what the site probably needs to support its content and sales staffs.
This means online ads, by themselves, still can’t support any but the very biggest and very smallest original-content sites.
The search for a business model for 21st-century journalism continues. None of the big media conglomerates has figured it out yet (except for business-info brands like the Wall St. Journal).
Nicolosi believes one solution could be for journalistic entities to publish short, one-shot e-books, based around single specific topics.
But that’s not the same as paying for an ongoing staff keeping tabs on the big and little parts of a community’s life and times. So the search continues.
I’m actually working on my own proposed solution.
But more about that later.
The Modern Language Association, those ol’ guardians of the university English department as the supposed nexus of all thought and creativity in America, are meeting in town this week.
Besides the members-only conferences and seminars on surviving campus budget cuts and why doesn’t America appreciate the greatness of English profs, there are a couple of major peripheral events open to the general public.
On Saturday (1/7/12), Town Hall hosts mini-readings (three minutes max) by “60 Writers,” including “upstart, altertative” scribes. Some are local; some are in town for the conference. It’s free and starts at 7:30.
And Washington State University’s Creative Media and Digital Culture Program is organizing a display of “Electronic Literature.” Its curators describe the exhibit as featuring:
…over 160 works by artists who create literary works involving various forms and combinations of digital media, such as video, animation, sound, virtual environments, and multimedia installations, for desktop computers, mobile devices, and live performance.
The works in the exhibit were all “born digital.” That is, they were designed to be experienced as digital media spectacles, not merely adapted from straight-text products.
The exhibit is open Thurs.-Sat. (1/5-7/12) in the Wash. State Convention Center Room 609. There’s also a free tie-in reading event, 8 p.m. Friday (1/6/12) at Richard Hugo House, 1634 11th Ave. on Capitol Hill.
(UPDATE: Even though the Electronic Literature exhibit’s web page says it’s free, it’s really only open to ticketed MLA convention goers. Locals can attend the Hugo House reading, however.)
It’s only appropriate that all this is happening this year in Seattle, ground zero for the big transition from dead-tree lit product to the brave new digi-future.
Be there or be pulp.
My full time (with overtime some weeks) contract position with Amazon.com is now ended. A gig that was originally set to have lasted 7.5 weeks instead got stretched to 13, so I’m more than grateful.
I was not stationed at the massive new Amazon campus at south Lake Union. Rather, I was in the company’s highly obscure back office in back of the Rainier Valley Lowe’s.
(For local old timers or baseball nerds, my desk was where the left field bleachers had been at the old Sick’s Seattle Stadium, home of the old Rainiers and Pilots.)
I was in an office area previously occupied by Amazon’s accounts payable department, for which we occasionally got phone calls, to which we had no forwarding info.
The building also houses:
I got to eat lunch at the fine fast-food outlets of the Rainier Valley; as well as two local indie treasures, The Original Philly’s and Remo Borracchini’s bakery-deli.
I worked as part of a team that varied between 12 and 32 people; at least two-thirds female. Some were otherwise stay-home moms. Some were recent college grads. Some were middle-age cranks like myself. All were damn smart and able to think their way through sometimes obtuse situations.
•
What we did all this time is a bit harder to explain.
On the Wednesday of our first week at the task, Amazon announced a line of new Kindle e-book machines.
At the same time, it announced a new, exclusive feature in its e-book files, “Xray.”
Reviewers have called Xray “an index on steroids.” It’s a hyperlinked list of a book’s references to people (real and fictional), places, ideas, topics, etc. It gives Amazon something other sellers of the same e-book titles don’t have.
The company’s crack coders created a software algorithm to generate the Xray files. But it had trouble parsing the infinite possibilities of what is and isn’t a person’s name (it regularly believed “Jesus H. Christ” and “Jack Daniel’s” to be characters in a story), and what is and isn’t a relevant phrase (publishers’ addresses don’t really belong in an index).
So every Xray file needed human tweaking.
That’s what we did, on the “Xray Quality Assurance Team.”
We used specially-programmed data tools to delete and add names and phrases in the Xray files. (To explain the process any further would risk violating my non-disclosure agreement.)
Our goal was to have 6,500 titles ready by the time the new Kindle models came out or shortly thereafter. By this past midweek, we’d exceeded 8,000. I worked, in whole or in part, on almost 1,500 of those.
Since “books” are a widely diverse lot, each Xray editing job was different.
Some titles (self-help guides or tech instructionals) contained lots of phrases but few to no names. Others (short stories sold as stand-alone products) had names but no significant phrases.
Some had compact casts of characters and limited place names. Others, such as epic historical tomes, contained literal “casts of thousands.”
The absolute toughest e-books to figure out were the umpteen-volume fantasy sagas, such as The Wheel of Time and the Game of Thrones sequels. They’ve got hundreds of made-up people names, plus hundreds of equally made-up names for places, tribes, deities, swords, etc.
But no matter how tricky any particular job was, our goal was accuracy above speed.
We picked the titles to work on from a database of Amazon’s most popular e-books, both “paid” and “free.” The latter include sample chapters of forthcoming books as well as public-domain classics. (I helped edit the Xray for The Idiot, and sure felt like one afterwards.)
I’ve long ranted in this space and elsewhere that, despite four decades’ worth of pseudo-intellectual hype about “The Death of The Book,” the written word remains a vital medium, commercially as well as in other aspects.
My thirteen weeks with Xray helped to confirm this belief.
The job also gave me an insight into what’s selling in the e-book sphere.
You’ve got all your regular NY Times and USA Today bestsellers, present and past.
You’ve got your expected genre items:
And there’s one genre that I, and the rest of the Xray Quality team, were surprised to find so prevalent among the top selling e-books.
Sometimes, it’s euphemistically billed as “erotic romance.”
What is is, is women’s smut.
You might already know that your regular formula romance novels, the Harlequins and the Silhouettes and such, include explicit sex scenes these days. (Only “Christian” romances don’t.)
But lately—and specifically in the e-book realm, where no one else can see what you’re reading—stories primarily or totally about sex, written for and by women (or at least under women’s pseudonyms), have become a major cottage industry.
I’d say they made up a good 5 percent of the database of Kindle bestsellers, at least.
They range in length from full size novels to short-short stories.
Some are self-published. Others come under the logos of established romance imprints, or their subsidiary lines. Still others are issued by professional, e-book-only companies. The latter have authors’ guidelines as strictly detailed as those of print romance publishers.
And formulaic they are.
For one thing, the traditional romance happy ending is a must. No matter how wild the sexual adventures, the heroines have to end up in committed relationships by the end.
The prose styling is also strictly regulated. No Anias Nin poetic flourishes; just simple declarative sentences and an established vocabulary of descriptions. Breasts are never fondled or groped but always “cupped.”
The plots are equally formulaic.
Several of them star mousy, modern-day women who travel back in time and into the arms of shirtless Scottish Highlanders.
In other formula plots, the male lust objects are equally studly—young corporate tycoons, Navy SEALs, cowboys, police detectives, firefighters, zombie hunters.
Or they’re vampires. Or shape-shifters of assorted types. There are werewolves, were-leopards, were-foxes, were-rats, and were-ravens.
And, quite often, the heroine has simultaneous sex with two, three, or four men. Sometimes these men are brothers. Other times they have sex with one another as well as with the heroine. But they always end up in permanent polyandrous households.
The self-published smut stories often have more traditionally “smutty” formulae. Amazon won’t deal in sex stories involving underage characters or blood relatives (except for the aforementioned groups of brothers sharing the same woman). But there are plenty of just-over-18 tarts seducing stepdads and stepbrothers.
E-books don’t really have covers, only promotional images on their respective Web pages. For many low-budget e-book-only smut titles, these images are amateurishly Photoshopped from licensed stock photos, or from unlicensed “found” online pictures. The effect is, of course, extra cheesy goodness!
An anonymous member of our team (not me, I swear) collected some of these images, along with blurbs and excerpts from the cheesiest of these smut stories, and put them on a blog called Wet & Wilde.
This, my friends, is what massive technological investments by companies here and overseas have led up to.
And even if most of it doesn’t arouse me, I’m glad it’s out there.
I’m still on the highly time-consuming contract job I’ve been at for a while. This Monday starts week 11 of what was to have been a 7.5-week gig. But it looks like it’s finally on the closing stretch. I’ll have a full report when it’s done.
Meanwhile, I’ve continued to collect wacky n’ weird links fer y’all. They include the following: